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Contenido proporcionado por Zeitkunst e.V.. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Zeitkunst e.V. o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Zeitkunst/Frischzelle

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When? This feed was archived on July 18, 2018 01:54 (6y ago). Last successful fetch was on November 09, 2016 15:20 (7+ y ago)

Why? Feed inactivo status. Nuestros servidores no pudieron recuperar un podcast válido durante un período sostenido.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

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Contenido proporcionado por Zeitkunst e.V.. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Zeitkunst e.V. o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
The media artists and musicians Sven Hahne and Matthias Muche initiated Frischzelle as a frischzelle for improvisation and composition. Their aim was to experiment with various forms of interaction between classical instruments and electronic sound production, as well as with dance, literature and audio-visual performance.
In particular, Frischzelle focuses on using computer technology for transforming sound and image, integration of diverse media and the connection between the human body and machines in the form of interfaces and sensor technology.
At FRISCHZELLE festivals, media artists and musicians engage in live dialogue. Using both composed and improvised material, they endeavour to create a unique format. Performers employ classical instruments, electronic sound generators, video projections, sculptural and cybernetic objects and almost anything that provides a direct or indirect connection between the components.
This Podcast includes excerpts from the performances of frischzelle festival 2004 to 2011
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Zeitkunst/Frischzelle

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Series guardadas ("Feed inactivo" status)

When? This feed was archived on July 18, 2018 01:54 (6y ago). Last successful fetch was on November 09, 2016 15:20 (7+ y ago)

Why? Feed inactivo status. Nuestros servidores no pudieron recuperar un podcast válido durante un período sostenido.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1097435
Contenido proporcionado por Zeitkunst e.V.. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Zeitkunst e.V. o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
The media artists and musicians Sven Hahne and Matthias Muche initiated Frischzelle as a frischzelle for improvisation and composition. Their aim was to experiment with various forms of interaction between classical instruments and electronic sound production, as well as with dance, literature and audio-visual performance.
In particular, Frischzelle focuses on using computer technology for transforming sound and image, integration of diverse media and the connection between the human body and machines in the form of interfaces and sensor technology.
At FRISCHZELLE festivals, media artists and musicians engage in live dialogue. Using both composed and improvised material, they endeavour to create a unique format. Performers employ classical instruments, electronic sound generators, video projections, sculptural and cybernetic objects and almost anything that provides a direct or indirect connection between the components.
This Podcast includes excerpts from the performances of frischzelle festival 2004 to 2011
  continue reading

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