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Contenido proporcionado por Marina Vidor and Philharmonia Orchestra. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Marina Vidor and Philharmonia Orchestra o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Pre-Concert Talk: Martin Sixsmith (Series Advisor) in conversation with Marina Frolova-Walker (Scholar)

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Manage episode 201562723 series 1170957
Contenido proporcionado por Marina Vidor and Philharmonia Orchestra. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Marina Vidor and Philharmonia Orchestra o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Voices of Revolution: Russia 1917 Series Advisor Martin Sixsmith speaks to musicologist Marina Frolova-Walker about the different ways Soviet era composers navigated an increasingly volatile system, one that could be unpredictable, especially when it came to evaluating music.

Profiling composers featured in the Philharmonia Orchestra's Royal Festival Hall concert on 22 March 2018, Sixsmith and Frolova-Walker explore how Sergei Prokofiev was lured back to Russia with flattery; how Alexander Mosolov ended up in the Gulag; and how Reinhold Glière managed to work the system to his advantage by producing beautiful, accessible music.

Works discussed:

Mosolov: Iron Foundry

Prokofiev: Piano Concerto No. 3

Glière: Concerto for Coloratura Soprano and Orchestra, The Red Poppy

Recorded live at the Royal Festival Hall, Southbank Centre, London.

Philharmonia Orchestra's 'Voices of Revolution' series continues in March 2018. https://www.philharmonia.co.uk/concerts/series/68/voices_of_revolution_russia_1917

  continue reading

96 episodios

Artwork
iconCompartir
 
Manage episode 201562723 series 1170957
Contenido proporcionado por Marina Vidor and Philharmonia Orchestra. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Marina Vidor and Philharmonia Orchestra o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Voices of Revolution: Russia 1917 Series Advisor Martin Sixsmith speaks to musicologist Marina Frolova-Walker about the different ways Soviet era composers navigated an increasingly volatile system, one that could be unpredictable, especially when it came to evaluating music.

Profiling composers featured in the Philharmonia Orchestra's Royal Festival Hall concert on 22 March 2018, Sixsmith and Frolova-Walker explore how Sergei Prokofiev was lured back to Russia with flattery; how Alexander Mosolov ended up in the Gulag; and how Reinhold Glière managed to work the system to his advantage by producing beautiful, accessible music.

Works discussed:

Mosolov: Iron Foundry

Prokofiev: Piano Concerto No. 3

Glière: Concerto for Coloratura Soprano and Orchestra, The Red Poppy

Recorded live at the Royal Festival Hall, Southbank Centre, London.

Philharmonia Orchestra's 'Voices of Revolution' series continues in March 2018. https://www.philharmonia.co.uk/concerts/series/68/voices_of_revolution_russia_1917

  continue reading

96 episodios

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