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Contenido proporcionado por Film at Lincoln Center Podcast and Film at Lincoln Center. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Film at Lincoln Center Podcast and Film at Lincoln Center o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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#519 - Sebastian Stan and Aaron Schimberg

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Manage episode 410856892 series 115436
Contenido proporcionado por Film at Lincoln Center Podcast and Film at Lincoln Center. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Film at Lincoln Center Podcast and Film at Lincoln Center o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week we’re excited to present a conversation with A Different Man director Aaron Schimberg and lead actor Sebastian Stan from this year’s edition of New Directors/New Films. Learn more: newdirectors.org With the hotly anticipated follow-up to his critically acclaimed sophomore feature, 2018’s Chained for Life, New York-based director Aaron Schimberg boldly announces himself as one of the most fearless and socially incisive new voices in American independent cinema wth the 2024 New Directors New Films Opening Night selection A Different Man. Sebastian Stan, winner of this year’s Silver Bear for Best Leading Performance at the Berlin Film Festival, delivers an ingeniously embodied performance as Edward, an aspiring actor with severe facial disfigurement, to whom we’re introduced as he navigates a dreary daily existence marked by discouragement and resignation. When a winsome playwright moves in next door, and an experimental medical procedure becomes available to change his face, Edward’s outlook brightens, and he jumps at the chance for a new lease on life—until the arrival of Oswald, an outgoing and warmly charismatic stranger puts his newfound “normalcy” into perspective, and his artistic aspirations in jeopardy. Schimberg’s latest is a discomfiting tour de force, a social satire that wrangles thorny questions of identity and authenticity with unflinching honesty and slyly virtuosic storytelling flair. ork pushes the envelope in unexpected, striking ways. This conversation was moderated by New Directors/New Films co-chair Dan Sullivan.
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544 episodios

Artwork
iconCompartir
 
Manage episode 410856892 series 115436
Contenido proporcionado por Film at Lincoln Center Podcast and Film at Lincoln Center. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Film at Lincoln Center Podcast and Film at Lincoln Center o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week we’re excited to present a conversation with A Different Man director Aaron Schimberg and lead actor Sebastian Stan from this year’s edition of New Directors/New Films. Learn more: newdirectors.org With the hotly anticipated follow-up to his critically acclaimed sophomore feature, 2018’s Chained for Life, New York-based director Aaron Schimberg boldly announces himself as one of the most fearless and socially incisive new voices in American independent cinema wth the 2024 New Directors New Films Opening Night selection A Different Man. Sebastian Stan, winner of this year’s Silver Bear for Best Leading Performance at the Berlin Film Festival, delivers an ingeniously embodied performance as Edward, an aspiring actor with severe facial disfigurement, to whom we’re introduced as he navigates a dreary daily existence marked by discouragement and resignation. When a winsome playwright moves in next door, and an experimental medical procedure becomes available to change his face, Edward’s outlook brightens, and he jumps at the chance for a new lease on life—until the arrival of Oswald, an outgoing and warmly charismatic stranger puts his newfound “normalcy” into perspective, and his artistic aspirations in jeopardy. Schimberg’s latest is a discomfiting tour de force, a social satire that wrangles thorny questions of identity and authenticity with unflinching honesty and slyly virtuosic storytelling flair. ork pushes the envelope in unexpected, striking ways. This conversation was moderated by New Directors/New Films co-chair Dan Sullivan.
  continue reading

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