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Contenido proporcionado por Film at Lincoln Center Podcast and Film at Lincoln Center. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Film at Lincoln Center Podcast and Film at Lincoln Center o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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#518 - Léa Seydoux on The Beast

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Manage episode 409327434 series 115436
Contenido proporcionado por Film at Lincoln Center Podcast and Film at Lincoln Center. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Film at Lincoln Center Podcast and Film at Lincoln Center o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week we’re excited to present a conversation with Léa Seydoux, lead actress of the 61t New York Film Festival Main Slate selection The Beast, which will open in our theaters on April 5. The Beast opens at FLC next Friday, April 5 View showtimes and get tickets at filmlinc.org/beast A filmmaker consistently unafraid to wade through the weird miasma of contemporary life, Bertrand Bonello (Nocturama; Coma, NYFF60) works from the outside in, dramatizing the psychological toll of the political and cultural world around us. Here he has created a dynamic and disturbing parable that jumps between three different time periods (1910, 2014, and 2044) to diagnose our acute—and perhaps eternal—feelings of estrangement and alienation. Using Henry James’s haunting 1903 short story “The Beast in the Jungle” as his film’s provocative inspiration, Bonello tells the story of a young woman (Léa Seydoux) who undergoes a surgical process to have her DNA—and therefore memories of all her past lives—removed. In so doing, she realizes her fate has long been intertwined, for better and worse, with a young man (George MacKay). Touching on modern anxieties of AI and incel culture, which may recur throughout history as commonly as love and hate, The Beast, like all good science-fiction, asks essential questions about the ever-shifting status of humanity itself. An NYFF61 Main Slate selection. A Sideshow and Janus Films release. This conversation was moderated by FLC's Vice President of Programming Florence Almozini.
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544 episodios

Artwork
iconCompartir
 
Manage episode 409327434 series 115436
Contenido proporcionado por Film at Lincoln Center Podcast and Film at Lincoln Center. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Film at Lincoln Center Podcast and Film at Lincoln Center o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week we’re excited to present a conversation with Léa Seydoux, lead actress of the 61t New York Film Festival Main Slate selection The Beast, which will open in our theaters on April 5. The Beast opens at FLC next Friday, April 5 View showtimes and get tickets at filmlinc.org/beast A filmmaker consistently unafraid to wade through the weird miasma of contemporary life, Bertrand Bonello (Nocturama; Coma, NYFF60) works from the outside in, dramatizing the psychological toll of the political and cultural world around us. Here he has created a dynamic and disturbing parable that jumps between three different time periods (1910, 2014, and 2044) to diagnose our acute—and perhaps eternal—feelings of estrangement and alienation. Using Henry James’s haunting 1903 short story “The Beast in the Jungle” as his film’s provocative inspiration, Bonello tells the story of a young woman (Léa Seydoux) who undergoes a surgical process to have her DNA—and therefore memories of all her past lives—removed. In so doing, she realizes her fate has long been intertwined, for better and worse, with a young man (George MacKay). Touching on modern anxieties of AI and incel culture, which may recur throughout history as commonly as love and hate, The Beast, like all good science-fiction, asks essential questions about the ever-shifting status of humanity itself. An NYFF61 Main Slate selection. A Sideshow and Janus Films release. This conversation was moderated by FLC's Vice President of Programming Florence Almozini.
  continue reading

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