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134: “Sour Milk Girls” by Erin Roberts

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Contenido proporcionado por Why Is This Good?. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Why Is This Good? o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast

In this episode, we discuss “Sour Milk Girls” by Erin Roberts. What can we learn from this story about damaged people? Can a story explore a broken character? How can we present background as part of a scene happening in the moment? How can using a light speculative touch help a story dig into character? Can we write a story asking what a broken character would do as a result of their trauma?

For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop

You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

  continue reading

140 episodios

Artwork
iconCompartir
 
Manage episode 434426699 series 2818381
Contenido proporcionado por Why Is This Good?. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Why Is This Good? o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast

In this episode, we discuss “Sour Milk Girls” by Erin Roberts. What can we learn from this story about damaged people? Can a story explore a broken character? How can we present background as part of a scene happening in the moment? How can using a light speculative touch help a story dig into character? Can we write a story asking what a broken character would do as a result of their trauma?

For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop

You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

  continue reading

140 episodios

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