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Sound mixer Steve Morrow on 'Maestro'

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Manage episode 403465457 series 3554463
Contenido proporcionado por Áron Czapek. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Áron Czapek o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

An underrated but incredibly important element of filmmaking is the sound mixing because you would surely recognise it right away if something “sounded off”. If you have seen Maestro, you probably noticed how the sound contributes to both the soft and intimate scenes, as well as to the big and loud parts. Well, it definitely captured our attention, hence our next guest is Steve Morrow, production sound mixer of Maestro.

Steve has already received four Oscar nominations for best sound for the following films: La La Land; A Star Is Born; Ford v Ferrari, and of course Maestro, Bradley Cooper’s second film as a director. You can also find his work in Fast X; Prey and (one of Szilveszter’s all time favorites) Babylon.

In Áron’s interview with Steve, among many other topics, you can hear him talk about passion projects, Bradley Cooper’s directorial instincts, how to record an entire orchestra live during the much talked about cathedral scene, plus a little bit of Joker: Folie à Deux and SNL 1975.

(Photo credit: Jason McDonald/Netflix)

  continue reading

74 episodios

Artwork
iconCompartir
 
Manage episode 403465457 series 3554463
Contenido proporcionado por Áron Czapek. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Áron Czapek o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

An underrated but incredibly important element of filmmaking is the sound mixing because you would surely recognise it right away if something “sounded off”. If you have seen Maestro, you probably noticed how the sound contributes to both the soft and intimate scenes, as well as to the big and loud parts. Well, it definitely captured our attention, hence our next guest is Steve Morrow, production sound mixer of Maestro.

Steve has already received four Oscar nominations for best sound for the following films: La La Land; A Star Is Born; Ford v Ferrari, and of course Maestro, Bradley Cooper’s second film as a director. You can also find his work in Fast X; Prey and (one of Szilveszter’s all time favorites) Babylon.

In Áron’s interview with Steve, among many other topics, you can hear him talk about passion projects, Bradley Cooper’s directorial instincts, how to record an entire orchestra live during the much talked about cathedral scene, plus a little bit of Joker: Folie à Deux and SNL 1975.

(Photo credit: Jason McDonald/Netflix)

  continue reading

74 episodios

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