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Manage episode 425187535 series 1051814
Contenido proporcionado por WE LOVE TO WATCH, Aaron Armstrong, and Peter Moran. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente WE LOVE TO WATCH, Aaron Armstrong, and Peter Moran o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
The name of the amusement park was Cedar Point.
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Manage episode 425187535 series 1051814
Contenido proporcionado por WE LOVE TO WATCH, Aaron Armstrong, and Peter Moran. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente WE LOVE TO WATCH, Aaron Armstrong, and Peter Moran o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
The name of the amusement park was Cedar Point.
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466 episodios
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Similar a We Love to Watch
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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