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Contenido proporcionado por Rachel Barton Pine. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Rachel Barton Pine o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Episode 51: Writing your own cadenza - don't be scared, it's fun!

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Contenido proporcionado por Rachel Barton Pine. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Rachel Barton Pine o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Episode 51: Writing your own cadenza - don't be scared, it's fun! Upcoming events: November 11 - London debut - Brahms Concerto with the Royal Philharmonic, November 13-15 - residency at Morehead State University in Kentucky, November 23 and 24 - Saint-Saens Introduction and Rondo Capriccioso and Sarasate Carmen Fantasy with the Ars Viva Symphony in Skokie, Illinois Inquiries from my Inbox: Whitney asks, "Do you offer or recommend any classical workshops for the summer?" For a searchable database of summer music programs, visit www.allthingsstrings.com/search/ssg/advancedsearch.aspx. Random Musical Thought: What if violin students brought bows with them to concerts like kids bring baseball gloves to baseball games? Writing your own cadenzas: list musical material from all of the parts of the orchestral score and number each excerpt; study others' cadenzas: count how many measures long they are to find a typical range, write out each cadenza's harmonic scheme to note progressions and how many keys are used, mark which excerpts are used in others' cadenzas and observe how they are altered, note how many bits of musical material are used in each cadenza; brainstorm in your head and improvise on your instrument rather than trying to write the cadenza starting at the beginning, jot down any good ideas you come up with and when you have enough possibilities you can try to put them all together; think about whether the style of your cadenza matches the style of the concerto.

total playing time: 16:09

SUBSCRIBE TO THIS PODCAST ON I-TUNES!

Would you like to be featured on Violin Adventures? Just send your question via text or as an MP3 attachment to rachelbartonpine@aol.com and listen for your answer on Inquiries From My Inbox!

Thanks for listening!

www.rachelbartonpine.comwww.myspace.com/rachelbartonpinewww.youtube.com/RachelBartonPine

Violin Adventures with Rachel Barton Pine is produced by Windy Apple Studios www.windyapple.com

  continue reading

81 episodios

Artwork
iconCompartir
 
Manage episode 150799104 series 1007808
Contenido proporcionado por Rachel Barton Pine. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Rachel Barton Pine o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Episode 51: Writing your own cadenza - don't be scared, it's fun! Upcoming events: November 11 - London debut - Brahms Concerto with the Royal Philharmonic, November 13-15 - residency at Morehead State University in Kentucky, November 23 and 24 - Saint-Saens Introduction and Rondo Capriccioso and Sarasate Carmen Fantasy with the Ars Viva Symphony in Skokie, Illinois Inquiries from my Inbox: Whitney asks, "Do you offer or recommend any classical workshops for the summer?" For a searchable database of summer music programs, visit www.allthingsstrings.com/search/ssg/advancedsearch.aspx. Random Musical Thought: What if violin students brought bows with them to concerts like kids bring baseball gloves to baseball games? Writing your own cadenzas: list musical material from all of the parts of the orchestral score and number each excerpt; study others' cadenzas: count how many measures long they are to find a typical range, write out each cadenza's harmonic scheme to note progressions and how many keys are used, mark which excerpts are used in others' cadenzas and observe how they are altered, note how many bits of musical material are used in each cadenza; brainstorm in your head and improvise on your instrument rather than trying to write the cadenza starting at the beginning, jot down any good ideas you come up with and when you have enough possibilities you can try to put them all together; think about whether the style of your cadenza matches the style of the concerto.

total playing time: 16:09

SUBSCRIBE TO THIS PODCAST ON I-TUNES!

Would you like to be featured on Violin Adventures? Just send your question via text or as an MP3 attachment to rachelbartonpine@aol.com and listen for your answer on Inquiries From My Inbox!

Thanks for listening!

www.rachelbartonpine.comwww.myspace.com/rachelbartonpinewww.youtube.com/RachelBartonPine

Violin Adventures with Rachel Barton Pine is produced by Windy Apple Studios www.windyapple.com

  continue reading

81 episodios

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