In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Independence Day
Manage episode 427069415 series 2877952
Contenido proporcionado por Verbal Diorama. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Verbal Diorama o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Roland Emmerich is not known for being an auteur director, but he is known for his disaster movies; the most defining and well-known of which is Independence Day. A movie that was almost called Doomsday. Can you imagine celebrating our Doomsday every 4th of July?
A movie called Independence Day, released around Independence Day 1996, was never going to be anything other than a spectacle of American patriotism and the archetypal blockbuster. It was expensive, it was lucrative, and it was bombastic, and it could have only come out in the 90s. It would pay homage to The Day The Earth Stood Still, The War of the Worlds, and 70s disaster movies like The Towering Inferno, Airport and The Poseidon Adventure.
Emmerich and his writing partner Dean Devlin knew they wanted to make an alien invasion movie. Surely no one else was doing one at the same time?
Oh, hi, Tim Burton. Checkmate.
I would love to hear your thoughts on Independence Day !
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos, Sean, Ryno and Russell!
This podcast uses the following third-party services for analysis:
OP3 - https://op3.dev/privacy
278 episodios
Compartir
Manage episode 427069415 series 2877952
Contenido proporcionado por Verbal Diorama. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Verbal Diorama o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Roland Emmerich is not known for being an auteur director, but he is known for his disaster movies; the most defining and well-known of which is Independence Day. A movie that was almost called Doomsday. Can you imagine celebrating our Doomsday every 4th of July?
A movie called Independence Day, released around Independence Day 1996, was never going to be anything other than a spectacle of American patriotism and the archetypal blockbuster. It was expensive, it was lucrative, and it was bombastic, and it could have only come out in the 90s. It would pay homage to The Day The Earth Stood Still, The War of the Worlds, and 70s disaster movies like The Towering Inferno, Airport and The Poseidon Adventure.
Emmerich and his writing partner Dean Devlin knew they wanted to make an alien invasion movie. Surely no one else was doing one at the same time?
Oh, hi, Tim Burton. Checkmate.
I would love to hear your thoughts on Independence Day !
CONTACT....
- Twitter @verbaldiorama
- Instagram @verbaldiorama
- Facebook @verbaldiorama
- Letterboxd @verbaldiorama
- Email verbaldiorama [at] gmail [dot] com
- Website verbaldiorama.com
SUPPORT VERBAL DIORAMA....
Give this podcast a five-star Rate & Review
Join the Patreon | Send a Tip | Buy Merch
ABOUT VERBAL DIORAMA
Verbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free.
Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique Studio
Patrons: Simon E, Sade, Claudia, Simon B, Laurel, Derek, Vern, Cat, Andy, Mike, Griff, Luke, Michael, Scott, Brendan, Lisa, Sam, Will, Jack, Dave, Chris, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip, Michele, Xenos, Sean, Ryno and Russell!
This podcast uses the following third-party services for analysis:
OP3 - https://op3.dev/privacy
278 episodios
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Similar a Verbal Diorama
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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