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Shouldn't Standard Pitch be Standard?
Manage episode 190257247 series 1553903
Contenido proporcionado por Alison Pitt. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Alison Pitt o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
There’s good news this week for voice artists who speak languages other than English, as Netflix continues its push for content globalization. Upwork releases a study that claims that 10 years from now, the majority of American workers will be freelancers, and the IBC profiles two visual effects studios using cloud computing and remote collaboration to push the limits of their art.
- Netflix is making shows for international audiences using localization
- Upwork releases Freelancing in America 2017 study
- Creative services are making use of remote working too
In today’s topic for discussion, come down the rabbit hole with me. I’m looking at the history of the 440Hz “standard pitch”…and why anyone should care.
Further reading:
- Concert pitch
- Scientific pitch
- A440 (pitch standard)
- “A brief history of the establishment of international standard pitch” by Lynn Cavanagh
- The Proms
- Support me! com/alisonpitt
- Email me! info@alisonpitt.com
- Follow me! @alison_pitt
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