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Episode 307: AMERICAN PSYCHO (2000)

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Contenido proporcionado por Trylove. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Trylove o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Bret Easton Ellis’s original novel featured vivid descriptions of depraved acts, but Mary Harron’s film adaptation of AMERICAN PSYCHO has a slithering unctuousness all its own. Christian Bale is Patrick Bateman, a Wall Street VP by day and a murderer at large by night. Problem is, those two things don't stay separate for long.

Despite the heft of its subject matter and the “unfilmability” of its source material, its 2000 release garnered critical acclaim rivaled only by its cultural divisiveness: Women’s advocacy groups took particular umbrage with the film’s portrayal of extreme violence against women.

In this episode, we reflect on AMERICAN PSYCHO with years (or mere days) of perspective, marvel at how a movie like this even “works,” compare its narrative tools to those of the book, and wonder what gets lost in the gulfs between what people say and what people hear.

**References: **

#EatTheRichBretEastonEllis #DCP

Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodcast.bsky.social, and email us at trylovepodcast@gmail.com to get in touch!

Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Suicide" by John Cale from the AMERICAN PSYCHO soundtrack.

Timestamps

0:00 - Episode 307: AMERICAN PSYCHO (2000)

3:20 - The Patented Aaron Grossman Summary

5:46 - First watch thoughts and the “one-dimensionality” of AMERICAN PSYCHO

9:55 - How the “unfilmable” film goes down this smoothly

25:36 - The space for interpretation left open by Bateman’s mixed reality

32:41 - The narrative effect of a movie where nobody’s paying attention to anything

38:08 - Jean

48:15 - Is Patrick the LEAST psychopathic person in his world?

57:18 - Reagan, self-awareness, and LinkedIn

1:02:22 - The Junk Drawer (Bale, Dafoe, and the business card scene)

1:12:02 - To All the Loves We’ve Tried Before: 2000

1:14:24 - Cody’s Noteys: Trylove Movie Draft (roster-building with films from the year 2000)

  continue reading

315 episodios

Artwork
iconCompartir
 
Manage episode 453513289 series 3182519
Contenido proporcionado por Trylove. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Trylove o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Bret Easton Ellis’s original novel featured vivid descriptions of depraved acts, but Mary Harron’s film adaptation of AMERICAN PSYCHO has a slithering unctuousness all its own. Christian Bale is Patrick Bateman, a Wall Street VP by day and a murderer at large by night. Problem is, those two things don't stay separate for long.

Despite the heft of its subject matter and the “unfilmability” of its source material, its 2000 release garnered critical acclaim rivaled only by its cultural divisiveness: Women’s advocacy groups took particular umbrage with the film’s portrayal of extreme violence against women.

In this episode, we reflect on AMERICAN PSYCHO with years (or mere days) of perspective, marvel at how a movie like this even “works,” compare its narrative tools to those of the book, and wonder what gets lost in the gulfs between what people say and what people hear.

**References: **

#EatTheRichBretEastonEllis #DCP

Follow us on Twitter at @trylovepodcast, Bluesky at @trylovepodcast.bsky.social, and email us at trylovepodcast@gmail.com to get in touch!

Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Suicide" by John Cale from the AMERICAN PSYCHO soundtrack.

Timestamps

0:00 - Episode 307: AMERICAN PSYCHO (2000)

3:20 - The Patented Aaron Grossman Summary

5:46 - First watch thoughts and the “one-dimensionality” of AMERICAN PSYCHO

9:55 - How the “unfilmable” film goes down this smoothly

25:36 - The space for interpretation left open by Bateman’s mixed reality

32:41 - The narrative effect of a movie where nobody’s paying attention to anything

38:08 - Jean

48:15 - Is Patrick the LEAST psychopathic person in his world?

57:18 - Reagan, self-awareness, and LinkedIn

1:02:22 - The Junk Drawer (Bale, Dafoe, and the business card scene)

1:12:02 - To All the Loves We’ve Tried Before: 2000

1:14:24 - Cody’s Noteys: Trylove Movie Draft (roster-building with films from the year 2000)

  continue reading

315 episodios

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