In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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283 - Anora
Manage episode 446625164 series 62823
Contenido proporcionado por Tonebenders Podcast. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Tonebenders Podcast o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
The Palme D’or winner from this year’s Cannes Film Festival, Anora is the latest film from director Sean Baker. Anora is also one of my favourite movies of the year so far. Co-supervising sound editors (and also the re-recording mixers) Andy Hay and John Warrin discuss how they molded the sound of this film. The film was largely shot docu-style with lots of overlapping dialogue and real life sound obtrusions, and a significant amount takes place in dance clubs with loud music blaring. These combined to make sound edit and mix particularly challenging. Check out www.sonicdays.com to register and learn all the details on this amazing sound conference happening in Kolding, Denmark from Nov. 19th-21st. This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. https://www.sound-ideas.com/Product/2400/Just-Wind-Sound-Effects- Show Notes: https://tonebenderspodcast.com/283-anora/ Podcast Homepage: https://tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead
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Manage episode 446625164 series 62823
Contenido proporcionado por Tonebenders Podcast. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Tonebenders Podcast o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
The Palme D’or winner from this year’s Cannes Film Festival, Anora is the latest film from director Sean Baker. Anora is also one of my favourite movies of the year so far. Co-supervising sound editors (and also the re-recording mixers) Andy Hay and John Warrin discuss how they molded the sound of this film. The film was largely shot docu-style with lots of overlapping dialogue and real life sound obtrusions, and a significant amount takes place in dance clubs with loud music blaring. These combined to make sound edit and mix particularly challenging. Check out www.sonicdays.com to register and learn all the details on this amazing sound conference happening in Kolding, Denmark from Nov. 19th-21st. This episode is brought to you by Sound Ideas, check out their latest sound effects library Just Wind. https://www.sound-ideas.com/Product/2400/Just-Wind-Sound-Effects- Show Notes: https://tonebenderspodcast.com/283-anora/ Podcast Homepage: https://tonebenderspodcast.com/ Tonebenders Host This Episode: Timothy Muirhead
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Similar a Tonebenders Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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