In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 43. Doing Women’s (Global) (Horror) Film History w/ Alison Peirse
Manage episode 409735003 series 2847526
Contenido proporcionado por The Video Essay Podcast. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente The Video Essay Podcast o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Today's episode features a conversation with Alison Peirse, a horror film scholar and professor at the University of Leeds. Alison led the project Doing Women’s (Global) (Horror) Film History (DWGHFH), a year-long video essay mentoring and training program that culminated in a videographic special issue of MAI: Feminism & Visual Culture. DWGHFH features the work of thirty contributors working on "women horror filmmakers in non-anglophone countries, with a particular focus on filmmakers from the Global Majority." Alison and Will discuss the origins of the project, the contributors and mentors who worked on DWGHFH, how the video essays exist into existing scholarship on women horror filmmakers, and much more.
Support the podcast on Patreon. Follow the show on Twitter. Learn more at the pod's website. Get the free newsletter. Subscribe on YouTube.
Will DiGravio hosted, edited and produced this episode. Emily Su Bin Ko is the show's associate producer. Music by Ketsa: "Live It," "Anvil," and "Refraining."
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Manage episode 409735003 series 2847526
Contenido proporcionado por The Video Essay Podcast. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente The Video Essay Podcast o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Today's episode features a conversation with Alison Peirse, a horror film scholar and professor at the University of Leeds. Alison led the project Doing Women’s (Global) (Horror) Film History (DWGHFH), a year-long video essay mentoring and training program that culminated in a videographic special issue of MAI: Feminism & Visual Culture. DWGHFH features the work of thirty contributors working on "women horror filmmakers in non-anglophone countries, with a particular focus on filmmakers from the Global Majority." Alison and Will discuss the origins of the project, the contributors and mentors who worked on DWGHFH, how the video essays exist into existing scholarship on women horror filmmakers, and much more.
Support the podcast on Patreon. Follow the show on Twitter. Learn more at the pod's website. Get the free newsletter. Subscribe on YouTube.
Will DiGravio hosted, edited and produced this episode. Emily Su Bin Ko is the show's associate producer. Music by Ketsa: "Live It," "Anvil," and "Refraining."
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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