How Research Should Inform a Novel Without Leaving Too Many Fingerprints

The Shit No One Tells You About Writing

In today's Books with Hooks, Carly, CeCe, and Bianca are joined by Ron, to discuss his query submission. They chat about Ron's curiosity-inducing first query paragraph; the line between giving away too much plot and sharing just enough in a query; how subjective agents’ opinions can be; the right emotional calibration within your characters; the issue with having too many names in opening pages; ways authors share the socio-emotional frameworks of their characters; balancing interiority with explanation and exposition; the difference between emotionality, interiority, and 'telling'; and the idea of putting characters in situations that will reveal the right things about them.

After which, Bianca interviews Garrard Conley, professor, and New York Times bestselling author of the memoir, Boy Erased. They discuss All the World Beside; the letter to the reader in the advanced copy; Gerrard's unconventional journey to the publication with Boy Erased; the role of luck in the industry; whether Garrard had a large platform/following when he published his memoir; subjectivity of agents and publishers; Garrard's process in writing his latest book; the benefits of researching, even when some of the information doesn't make it into the final work; the number of edits Garrard went through before he produced his final draft; and the idea of 'jazz hands writing' versus simplistic emotional truth.

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