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Contenido proporcionado por Benedikt Hain / Malcom Owen-Flood. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Benedikt Hain / Malcom Owen-Flood o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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#187: Are You Using Mix Bus Compression?

1:00:13
 
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Manage episode 376837089 series 2864231
Contenido proporcionado por Benedikt Hain / Malcom Owen-Flood. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Benedikt Hain / Malcom Owen-Flood o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Send us a text

Here are three next steps for you to take:
1. Get our free video training & checklist,
"Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!
It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.
Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.
Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode Show Notes:
Are you mixing into a compressor? I mean mixing with a compressor on your mix bus from the beginning and not just slapping a compressor on at the end and then hoping for the best.
These guys are, and in this episode, Benedikt & Malcom talk about how they’re doing it and why they’re doing it.
Every compressor has its own unique ‘flavor’ and is often used as the glue that brings all of your song’s individual elements together.
Remember, though, your mix bus has EVERYTHING going through it, so you’ve got to be careful. Any changes you make on there will affect the whole song, for better or for worse.
Where do you start with mix bus compression, though?
Do you know which type of compressor to use for mix bus compression? You have options…
You could reach for a VCA compressor if you’re looking for a transparent glue. Maybe you’re feeling extra fruity and want to risk destroying your mix, so why not reach for an 1176?
Then there are the settings. Benedikt and Malcom compare notes on their go-to “safe” settings when using mix bus compression.
“It sounds complicated, but once you get the core concepts, it’s not that complicated at all.” – Benedikt

Mix bus compression can be a complicated subject, but it’s also a fundamental skill that you need to get your head around if you want to make professional-sounding mixes.
“Learning is sucking, until you don’t.” – Malcom Owen-Flood

A real deep dive episode here, so hold on to your threshold knobs and let the learning begin.

--
For full show notes go to: https://theselfrecordingband.com/187
If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

  continue reading

Capíttulos

1. Mix Bus Compression and Photography Balancing (00:00:00)

2. Studio Scene Event in Hamburg (00:04:40)

3. Exploring Different Compressor Options (00:17:34)

4. Understanding Sidechain and Mixbus Compression (00:28:50)

5. Mixing, Mastering, and the Mix Bus (00:39:00)

6. Mix Bus Compression and Loudness (00:47:21)

231 episodios

Artwork
iconCompartir
 
Manage episode 376837089 series 2864231
Contenido proporcionado por Benedikt Hain / Malcom Owen-Flood. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Benedikt Hain / Malcom Owen-Flood o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Send us a text

Here are three next steps for you to take:
1. Get our free video training & checklist,
"Standout Mixes - The DIY Musician's Guide To Exciting Mixes That Stand Out And Connect":
theselfrecordingband.com/standoutmixes
-
2. Apply for The Self-Recording Syndicate, our personalized coaching program!
It all starts with a free first call where we talk about your music, give you feedback and a step-by-step action plan that you can then implement on your own, or together with us.
Best case: We end up working together and completely transform the sound of your music forever.
Worst case: You get an hour of free coaching and feedback.
Sounds fair? Cool. Apply now and book your free coaching call:
theselfrecordingband.com/call
-
3. Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
Episode Show Notes:
Are you mixing into a compressor? I mean mixing with a compressor on your mix bus from the beginning and not just slapping a compressor on at the end and then hoping for the best.
These guys are, and in this episode, Benedikt & Malcom talk about how they’re doing it and why they’re doing it.
Every compressor has its own unique ‘flavor’ and is often used as the glue that brings all of your song’s individual elements together.
Remember, though, your mix bus has EVERYTHING going through it, so you’ve got to be careful. Any changes you make on there will affect the whole song, for better or for worse.
Where do you start with mix bus compression, though?
Do you know which type of compressor to use for mix bus compression? You have options…
You could reach for a VCA compressor if you’re looking for a transparent glue. Maybe you’re feeling extra fruity and want to risk destroying your mix, so why not reach for an 1176?
Then there are the settings. Benedikt and Malcom compare notes on their go-to “safe” settings when using mix bus compression.
“It sounds complicated, but once you get the core concepts, it’s not that complicated at all.” – Benedikt

Mix bus compression can be a complicated subject, but it’s also a fundamental skill that you need to get your head around if you want to make professional-sounding mixes.
“Learning is sucking, until you don’t.” – Malcom Owen-Flood

A real deep dive episode here, so hold on to your threshold knobs and let the learning begin.

--
For full show notes go to: https://theselfrecordingband.com/187
If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

  continue reading

Capíttulos

1. Mix Bus Compression and Photography Balancing (00:00:00)

2. Studio Scene Event in Hamburg (00:04:40)

3. Exploring Different Compressor Options (00:17:34)

4. Understanding Sidechain and Mixbus Compression (00:28:50)

5. Mixing, Mastering, and the Mix Bus (00:39:00)

6. Mix Bus Compression and Loudness (00:47:21)

231 episodios

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