In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenido proporcionado por Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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218 | Lessons In Chemistry, The Office, and Jury Duty: Lee Eisenberg's Multi-Genre Screenwriting Career
Manage episode 445627140 series 2856508
Contenido proporcionado por Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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How does a TV writer go from working on a classic sitcom (The Office), to a deeply-felt immigrant dramedy (Little America), to creating a hidden camera show (Jury Duty), and most recently, creating an Emmy-nominated female-driven workplace drama (Lessons in Chemistry)? Hard work. Despite his mega-career, Lee Eisenberg doesn't believe he is in the upper echelon of Hollywood's most talented writers, but he does believe he outworks almost anyone else in town. Tune in to find out how you can, too.
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Manage episode 445627140 series 2856508
Contenido proporcionado por Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
JOIN TSL WORKSHOPS: https://tslworkshops.circle.so
How does a TV writer go from working on a classic sitcom (The Office), to a deeply-felt immigrant dramedy (Little America), to creating a hidden camera show (Jury Duty), and most recently, creating an Emmy-nominated female-driven workplace drama (Lessons in Chemistry)? Hard work. Despite his mega-career, Lee Eisenberg doesn't believe he is in the upper echelon of Hollywood's most talented writers, but he does believe he outworks almost anyone else in town. Tune in to find out how you can, too.
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