Artwork

Contenido proporcionado por The Recasting Couch. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente The Recasting Couch o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Player FM : aplicación de podcast
¡Desconecta con la aplicación Player FM !

TRC: Ep. 85 Snake Eyes

2:38:24
 
Compartir
 

Manage episode 230030788 series 1547458
Contenido proporcionado por The Recasting Couch. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente The Recasting Couch o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

This must be your lucky day, because you’ve just rolled Snake Eyes.

Believe it or not, this is better than the actual dialogue in the 1998 pulp, noir, cheesefest that is one of the Cage-iest of Nicolas Cage movies that there is. Brian De Palma directed and wrote the film, although it would have benefited from maybe another 17 writers being brought in. But for how flimsy the script was, the direction was actually pretty good, and ultimately this was a very enjoyable rewatch.

It’s famous for its long intricate tracking shots, the first of which is known as one of the best in film history (even if the rest of the movie doesn’t hold up to the lofty expectations the opening sets). The problem is the imagery is not exactly subtle. White is for the Angel, Red is for the Devil, literal blood money, etc. Not to mention, there’s a long closing scene that ended up on the cutting room floor, but was still referenced several times throughout the movie.

The acting is pretty good here. Gary Sinise has a nice speech at the end. Carla Gugino does a good job riding the line between determined whistleblower and damsel in distress. Kevin Dunn, Mike Starr, Michael Rispoli, and a TRC favorite Luis Guzman put in top notch That Guy performances, which help really pull this movie together. The flaws are glaring, but if you can get by them, this movie is just fun.

Thanks for tuning in, everyone! Twitter is really starting to pop off, so find us there @recastingpod. We’re slowly growing our Instagram feed, so get in now on the ground floor, also @recastingpod. If you have a movie you’d like us to recast, or if you want to give us any feedback, email us at recastingpod@gmail.com. Our numbers have been rising steadily and it’s because you all are spreading the word, so tell a friend and leave us a 5 star rating to help us grow the show. See you next week!

  continue reading

100 episodios

Artwork
iconCompartir
 
Manage episode 230030788 series 1547458
Contenido proporcionado por The Recasting Couch. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente The Recasting Couch o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

This must be your lucky day, because you’ve just rolled Snake Eyes.

Believe it or not, this is better than the actual dialogue in the 1998 pulp, noir, cheesefest that is one of the Cage-iest of Nicolas Cage movies that there is. Brian De Palma directed and wrote the film, although it would have benefited from maybe another 17 writers being brought in. But for how flimsy the script was, the direction was actually pretty good, and ultimately this was a very enjoyable rewatch.

It’s famous for its long intricate tracking shots, the first of which is known as one of the best in film history (even if the rest of the movie doesn’t hold up to the lofty expectations the opening sets). The problem is the imagery is not exactly subtle. White is for the Angel, Red is for the Devil, literal blood money, etc. Not to mention, there’s a long closing scene that ended up on the cutting room floor, but was still referenced several times throughout the movie.

The acting is pretty good here. Gary Sinise has a nice speech at the end. Carla Gugino does a good job riding the line between determined whistleblower and damsel in distress. Kevin Dunn, Mike Starr, Michael Rispoli, and a TRC favorite Luis Guzman put in top notch That Guy performances, which help really pull this movie together. The flaws are glaring, but if you can get by them, this movie is just fun.

Thanks for tuning in, everyone! Twitter is really starting to pop off, so find us there @recastingpod. We’re slowly growing our Instagram feed, so get in now on the ground floor, also @recastingpod. If you have a movie you’d like us to recast, or if you want to give us any feedback, email us at recastingpod@gmail.com. Our numbers have been rising steadily and it’s because you all are spreading the word, so tell a friend and leave us a 5 star rating to help us grow the show. See you next week!

  continue reading

100 episodios

Todos los episodios

×
 
Loading …

Bienvenido a Player FM!

Player FM está escaneando la web en busca de podcasts de alta calidad para que los disfrutes en este momento. Es la mejor aplicación de podcast y funciona en Android, iPhone y la web. Regístrate para sincronizar suscripciones a través de dispositivos.

 

Guia de referencia rapida

Escucha este programa mientras exploras
Reproducir