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Contenido proporcionado por The Queer Quadrant. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente The Queer Quadrant o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Manage episode 345499962 series 2889297
Contenido proporcionado por The Queer Quadrant. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente The Queer Quadrant o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Jordan and Brooke are joined by horror writer Cory McCullough (The Scream Teens) to discuss 2022's *debatable* slasher flick. We wonder why writer/director John Logan is so reticent to just let the gay characters get their revenge, discuss the Blumhouse influence, trauma bond over film school trauma, envision what a proper slasher set at conversion camp might look like, and promote another case to #FreeTheBacon.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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