Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Contenido proporcionado por Adam Neely. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Adam Neely o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Q+A #35 - Why do you like pop music when other artists go unnoticed?
Manage episode 185271218 series 1530792
Contenido proporcionado por Adam Neely. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Adam Neely o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
0:15 Why do US percussionists play Cajons the way that they do?
3:50 What should you do in order to back out of a gig for a higher paying one?
6:19 What is your advice for a trans musicians entering college?
8:03 Why is musicianship so high in NYC?
9:59 How should transients line up when you time-align music in a DAW?
11:25 What do you mean about the “craft” of pop music making?
15:42 Talk to me about bass effects, please!
17:38 If you knew about the Myth of Sisyphus before your recital, why did you still get depressed afterwards?
Thanks to Rodrigo de Piérola, Reagan McCann, Olivia Andersson, Fergus, Stanislav Kogan, Jon Chen, Christian Hasselberger and Frisky Maulida for their insightful questions!
4 episodios
Compartir
Manage episode 185271218 series 1530792
Contenido proporcionado por Adam Neely. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Adam Neely o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
0:15 Why do US percussionists play Cajons the way that they do?
3:50 What should you do in order to back out of a gig for a higher paying one?
6:19 What is your advice for a trans musicians entering college?
8:03 Why is musicianship so high in NYC?
9:59 How should transients line up when you time-align music in a DAW?
11:25 What do you mean about the “craft” of pop music making?
15:42 Talk to me about bass effects, please!
17:38 If you knew about the Myth of Sisyphus before your recital, why did you still get depressed afterwards?
Thanks to Rodrigo de Piérola, Reagan McCann, Olivia Andersson, Fergus, Stanislav Kogan, Jon Chen, Christian Hasselberger and Frisky Maulida for their insightful questions!
4 episodios
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Similar a The Q+A Podcast with Adam Neely
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Join jazz aficionado Don Shor as he explores the diverse and fascinating world of jazz. Jazz After Dark spans the gamut, from roots in boogie-woogie, blues, and ragtime through traditional and straight-ahead jazz, soul jazz, bossa nova, and more.
…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
Best Smooth Jazz (BSJ) from London UK is a refreshingly 'chilled' Smooth Jazz radio show - all instrumental. Host Rod Lucas plays a 'cool' selection of new & familiar Smooth Jazz instrumentals. Easy listening Grooves with a Soul & R&B feel and Latin vibes. Jazz with fun feel. London's New Cool Smooth Jazz. Soul lovers will enjoy the grooves too.
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continue reading
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continue reading
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