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Sara Bareilles Talks with Rachel Syme

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Contenido proporcionado por WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Sara Bareilles broke out as a pop-music star in the late two-thousands. But she’s gone on to have a very different kind of career, writing music for Broadway and eventually performing as an actor on stage and on television. At the New Yorker Festival, in 2024, she played her early hit “Gravity,” and spoke with staff writer Rachel Syme about the pressures of fame, aging, and why she prefers working in theatre. “There’s so much competition in the music industry. I’m not a competitive person; I don’t understand it. It’s not that theatre isn’t competitive, but there’s this feeling—everybody’s so happy to be there. Like, ‘We got a show, guys, and we don’t know how long it’s going to last!’ ”

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908 episodios

Artwork
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Manage episode 459789185 series 94072
Contenido proporcionado por WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Sara Bareilles broke out as a pop-music star in the late two-thousands. But she’s gone on to have a very different kind of career, writing music for Broadway and eventually performing as an actor on stage and on television. At the New Yorker Festival, in 2024, she played her early hit “Gravity,” and spoke with staff writer Rachel Syme about the pressures of fame, aging, and why she prefers working in theatre. “There’s so much competition in the music industry. I’m not a competitive person; I don’t understand it. It’s not that theatre isn’t competitive, but there’s this feeling—everybody’s so happy to be there. Like, ‘We got a show, guys, and we don’t know how long it’s going to last!’ ”

  continue reading

908 episodios

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