In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 257: The Nitrate Picture Show 2024 with David Schwartz: Minnelli, Wyler, Walsh, and more
Manage episode 424508618 series 2792919
Contenido proporcionado por The Last Thing I Saw and Nicolas Rapold. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente The Last Thing I Saw and Nicolas Rapold o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Ep. 257: The Nitrate Picture Show 2024 with David Schwartz Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Nitrate Picture Show takes place every year in Rochester, New York, at the George Eastman Museum, projecting movies from nitrate prints. The resulting super-vivid images create a movie-going experience that can be, in the words of my guest, programmer David Schwartz, “life-changing.” I asked Schwartz about some of his highlights at this increasingly popular festival, including The Good Fairy (directed by William Wyler), Meet Me in St. Louis (Vincente Minnelli), Intolerance (D.W. Griffith), and The Strawberry Blonde (Raoul Walsh). We also talked about films that offered something a little different such as the documentary The Plow That Broke the Plains (Pare Lorentz), the experimental parody Tomato’s Another Day (James Sibley Watson), Homecoming (Hideo Oba), and Rossellini’s Germany Year Zero. Plus: rare Lubitsch (From Mayerling to Sarajevo) and Renoir’s A Day in the Country. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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Manage episode 424508618 series 2792919
Contenido proporcionado por The Last Thing I Saw and Nicolas Rapold. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente The Last Thing I Saw and Nicolas Rapold o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Ep. 257: The Nitrate Picture Show 2024 with David Schwartz Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The Nitrate Picture Show takes place every year in Rochester, New York, at the George Eastman Museum, projecting movies from nitrate prints. The resulting super-vivid images create a movie-going experience that can be, in the words of my guest, programmer David Schwartz, “life-changing.” I asked Schwartz about some of his highlights at this increasingly popular festival, including The Good Fairy (directed by William Wyler), Meet Me in St. Louis (Vincente Minnelli), Intolerance (D.W. Griffith), and The Strawberry Blonde (Raoul Walsh). We also talked about films that offered something a little different such as the documentary The Plow That Broke the Plains (Pare Lorentz), the experimental parody Tomato’s Another Day (James Sibley Watson), Homecoming (Hideo Oba), and Rossellini’s Germany Year Zero. Plus: rare Lubitsch (From Mayerling to Sarajevo) and Renoir’s A Day in the Country. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass
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Similar a The Last Thing I Saw
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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