In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenido proporcionado por Nicholas Marcus. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Nicholas Marcus o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Film Score Review III: 'She Dies Tomorrow' by Mondo Boys
Manage episode 445280136 series 2827045
Contenido proporcionado por Nicholas Marcus. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Nicholas Marcus o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Dipping back into the well again, reaching to September 2020, here's the audio version (cleaned up and shortened) of my review of Mondo Boys' score for She Dies Tomorrow. Again, the audio is still a little rougher but after thirty seconds or so you don't really notice (or at least I didn't as I was editing). There's also a nauseating little cue thrown in the middle - which I embarrassingly called a "song", which Sony was kind enough to give me permission to use when I first recorded this.
I don't have a written review of this one, but I did end up reaching out to Mondo Boys shortly after and interviewing them: https://thefilmscorer.com/an-interview-with-mondo-boys/
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Compartir
Manage episode 445280136 series 2827045
Contenido proporcionado por Nicholas Marcus. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Nicholas Marcus o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Dipping back into the well again, reaching to September 2020, here's the audio version (cleaned up and shortened) of my review of Mondo Boys' score for She Dies Tomorrow. Again, the audio is still a little rougher but after thirty seconds or so you don't really notice (or at least I didn't as I was editing). There's also a nauseating little cue thrown in the middle - which I embarrassingly called a "song", which Sony was kind enough to give me permission to use when I first recorded this.
I don't have a written review of this one, but I did end up reaching out to Mondo Boys shortly after and interviewing them: https://thefilmscorer.com/an-interview-with-mondo-boys/
This is one of my favorite interviews, because we recorded for about two and a half hours on a Saturday night, drinking whiskey. How I turned it into a tight, coherent, sub-hour interview I don't know...
121 episodios
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Similar a The Film Scorer
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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