Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Contenido proporcionado por Paul Resnikoff and Digital Music News. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Paul Resnikoff and Digital Music News o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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The Complex Nightmare Behind the $6 Billion Public Performance License
Manage episode 217977254 series 2432564
Contenido proporcionado por Paul Resnikoff and Digital Music News. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Paul Resnikoff and Digital Music News o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
The public performance license generates $6 billion annually, according to Audiam founder Jeff Price, yet it's one of the most insanely complex and misunderstood revenue generators in the music industry. In this episode, we talk to Scott Schreer, one of the most successful jingle writers in history - and one of the best people to talk to about this hair-brained license.
31 episodios
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Manage episode 217977254 series 2432564
Contenido proporcionado por Paul Resnikoff and Digital Music News. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Paul Resnikoff and Digital Music News o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
The public performance license generates $6 billion annually, according to Audiam founder Jeff Price, yet it's one of the most insanely complex and misunderstood revenue generators in the music industry. In this episode, we talk to Scott Schreer, one of the most successful jingle writers in history - and one of the best people to talk to about this hair-brained license.
31 episodios
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Similar a The Digital Music News Podcast
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Rock and Roll
…
continue reading
The weekly RA Exchange is a series of conversations with artists, labels and promoters shaping the electronic music landscape.
…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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continue reading
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