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Contenido proporcionado por MixingLight.com and Vincent Taylor. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente MixingLight.com and Vincent Taylor o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Colorist Paul Harrison: Winning Awards on both sides of the Atlantic

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Manage episode 388150902 series 3472787
Contenido proporcionado por MixingLight.com and Vincent Taylor. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente MixingLight.com and Vincent Taylor o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Accelerate your post-production career: https://mixinglight.com

Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/the-color-timer-podcast-interview-with-paul-harrison/
======
Season 1 of The Color Timer Podcast wraps: We chat with Paul Harrison, a colorist renowned for his award-winning short-form work and films.

Paul Harrison’s professional journey has covered just about every corner of the industry that could possibly be painted 18% gray. Currently, Paul is the Senior Colorist and Partner at Residence Pictures and has completed the visually stunning The Killing Kind (Paramount +) and The Gallows Pole (BBC).

From humble beginnings as an on-set runner, to learning the dark arts of telecine with a Pandora Pogle, to honing the look of top-notch brands like Guinness, Levi’s, and BMW; Paul shares his insights and his inspiration.

One of the world’s top colorists, Paul Harrison has been continually ranked amongst the top three finishing artists in the UK throughout his career, frequently topping the Televisual Best Colorist polls as well as winning successive BTAA awards for best colorist.

Chatting with Paul feels like chatting with an old friend, he quickly puts you at ease and I would imagine that this is something that would make those long hours in a color session so much easier.
- - -
Editor: Arthur Ditner
Executive Producer: https://mixinglight.com
Supporting Sponsor: https://www.filmlight.ltd.uk/
Podcast Home: https://colortimerpodcast.mixinglight.com

  continue reading

19 episodios

Artwork
iconCompartir
 
Manage episode 388150902 series 3472787
Contenido proporcionado por MixingLight.com and Vincent Taylor. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente MixingLight.com and Vincent Taylor o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Accelerate your post-production career: https://mixinglight.com

Full episode notes and additional links: https://mixinglight.com/color-grading-tutorials/the-color-timer-podcast-interview-with-paul-harrison/
======
Season 1 of The Color Timer Podcast wraps: We chat with Paul Harrison, a colorist renowned for his award-winning short-form work and films.

Paul Harrison’s professional journey has covered just about every corner of the industry that could possibly be painted 18% gray. Currently, Paul is the Senior Colorist and Partner at Residence Pictures and has completed the visually stunning The Killing Kind (Paramount +) and The Gallows Pole (BBC).

From humble beginnings as an on-set runner, to learning the dark arts of telecine with a Pandora Pogle, to honing the look of top-notch brands like Guinness, Levi’s, and BMW; Paul shares his insights and his inspiration.

One of the world’s top colorists, Paul Harrison has been continually ranked amongst the top three finishing artists in the UK throughout his career, frequently topping the Televisual Best Colorist polls as well as winning successive BTAA awards for best colorist.

Chatting with Paul feels like chatting with an old friend, he quickly puts you at ease and I would imagine that this is something that would make those long hours in a color session so much easier.
- - -
Editor: Arthur Ditner
Executive Producer: https://mixinglight.com
Supporting Sponsor: https://www.filmlight.ltd.uk/
Podcast Home: https://colortimerpodcast.mixinglight.com

  continue reading

19 episodios

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