In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Twister/Twisters (with David Sims)
Manage episode 437282985 series 2951656
Contenido proporcionado por Bright Wall/Dark Room. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Bright Wall/Dark Room o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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This episode is sponsored by Galerie, a new kind of film club featuring curated films, original articles and interviews, and interactive live events. BW/DR listeners can now sign up for three full months of free access to Galerie through this special link.
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Manage episode 437282985 series 2951656
Contenido proporcionado por Bright Wall/Dark Room. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Bright Wall/Dark Room o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Joining us this month: Blank Check co-host & staff writer at The Atlantic, David Sims!
In summer’s last gasp, we go back to a flashpoint of summer blockbuster season: Jan de Bont’s 1996 Twister, plus its legacy in Twisters (Lee Isaac Chung, 2024), epic ensemble casting, craving movies about grown-ups, Hollywood’s dangerous brunettes, why not kissing at the airport matters, whether anyone votes in the world of Twisters, cinema sequences and storm spectatorship, Daisy Edgar Jones’s accent work, and the Spielberg touch.
Stuff we reference: Jan de Bont in conversation with Tim Grierson, and Lee Isaac Chung on the Twisters ending.
The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands. Our theme music is composed by Chad.
---
This episode is sponsored by Galerie, a new kind of film club featuring curated films, original articles and interviews, and interactive live events. BW/DR listeners can now sign up for three full months of free access to Galerie through this special link.
54 episodios
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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