In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Suicide Squad
Manage episode 372808235 series 2804263
Contenido proporcionado por Tentpole Trauma. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Tentpole Trauma o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Before landing the job of running the revamped DC cinematic universe, auteur James Gunn jumped ship from Marvel to direct The Suicide Squad, a sequel to the 2016 film of (almost) the same name. Bringing with him his unique blend of twisted heart and humor, as well as a penchant for D-list comic book characters, Gunn’s film landed well with fans but suffered serious casualties at the box office. Join Sebastian and Jennifer on a mission to celebrate all things Gunn, consider why the film fumbled financially, and prognosticate on the future of the DC cinematic universe.
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Manage episode 372808235 series 2804263
Contenido proporcionado por Tentpole Trauma. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Tentpole Trauma o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Before landing the job of running the revamped DC cinematic universe, auteur James Gunn jumped ship from Marvel to direct The Suicide Squad, a sequel to the 2016 film of (almost) the same name. Bringing with him his unique blend of twisted heart and humor, as well as a penchant for D-list comic book characters, Gunn’s film landed well with fans but suffered serious casualties at the box office. Join Sebastian and Jennifer on a mission to celebrate all things Gunn, consider why the film fumbled financially, and prognosticate on the future of the DC cinematic universe.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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