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Contenido proporcionado por Justin Gausman. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Justin Gausman o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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TCBCast 346: The "Lost Album" Sessions of 1963/64

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Manage episode 461188079 series 2086828
Contenido proporcionado por Justin Gausman. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Justin Gausman o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Gurdip and Justin delve into the recording sessions from May 1963 and January 1964 which produced songs initially spread out across numerous singles and albums over a five year span. While the music reflected a more polished Nashville-tinged pop sound that Elvis had been subtly building upon in the early 60s, giving us such iconic recordings as "Devil in Disguise," "Memphis Tennessee" and "It Hurts Me," fans at the time never quite got the chance to take full stock of what Elvis was artistically doing at this moment in time.

But decades later, the material comprised the retrospective compilation "For the Asking" aka "The Lost Album." The guys sit down to look back on all of it.

For the first Songs of the Week of 2025, Gurdip surprises with a short excursion to hear Elvis' live on-stage gag performances of "The Mickey Mouse Club March." Then, Justin spotlights "Look Out Broadway," the aspirational showtune from "Frankie and Johnny" that makes numerous Gilded Age pop culture references and features vocalists Ray Walker and Eileen Wilson chiming in as other characters... in one of the very few traditional musicals Elvis ever made in his film career!

If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

  continue reading

390 episodios

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iconCompartir
 
Manage episode 461188079 series 2086828
Contenido proporcionado por Justin Gausman. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Justin Gausman o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Gurdip and Justin delve into the recording sessions from May 1963 and January 1964 which produced songs initially spread out across numerous singles and albums over a five year span. While the music reflected a more polished Nashville-tinged pop sound that Elvis had been subtly building upon in the early 60s, giving us such iconic recordings as "Devil in Disguise," "Memphis Tennessee" and "It Hurts Me," fans at the time never quite got the chance to take full stock of what Elvis was artistically doing at this moment in time.

But decades later, the material comprised the retrospective compilation "For the Asking" aka "The Lost Album." The guys sit down to look back on all of it.

For the first Songs of the Week of 2025, Gurdip surprises with a short excursion to hear Elvis' live on-stage gag performances of "The Mickey Mouse Club March." Then, Justin spotlights "Look Out Broadway," the aspirational showtune from "Frankie and Johnny" that makes numerous Gilded Age pop culture references and features vocalists Ray Walker and Eileen Wilson chiming in as other characters... in one of the very few traditional musicals Elvis ever made in his film career!

If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

  continue reading

390 episodios

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