Artwork

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Jean Claracq

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Manage episode 430795816 series 2616525
Contenido proporcionado por Russell Tovey and Robert Diament c/o Independent Talent, Russell Tovey, and Robert Diament. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Russell Tovey and Robert Diament c/o Independent Talent, Russell Tovey, and Robert Diament o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

We meet artist Jean Claracq to discuss painting, his recent shows with Galerie Sultana in Paris and Arles, plus what its like living and working from Marseille and its growing artistic community.


Jean Claracq brings the past forward via savvy remarks on the culture industry of the 21st century. Claracq’s paintings exploit, in the most delicate and refined form, the language of advertisement and social media to construct desire, fascination, and lust. With eclectic references that range from medieval paintings to elements of contemporary pop culture, a dystopian view of the joie de vivre unveils a new alternative to the divine perception of the world.


In his work, Jean evokes the ambiguity between joy and pleasure mixed with the anguish of an unstructured world on the verge of collapse. He evokes the architecture and study of suburban areas, in particular car parks, the symbol of a world alienated by consumerism to the point of sacrificing its own existence.


In 2023, he was awarded the Prix Pierre Cardin in Painting by the Académie des Beaux-Arts. Painter of miniatures and icons, Jean Claracq contributes to the dialogue between painting and digital art. His models come from social networks (Instagram, Grindr) and are part of a gay, marginal or culturally different community. They interact with many references to the history of old master painting (especially schools form Northern Europe). Attached to traditional techniques (oil on wood, attention to the smallest details), he plays with the possible reading levels and accurately depicts our relationship to screens and loneliness in an urban environment.


Claracq was Born in 1991 in Bayonne, France. Graduated from Beaux-Arts de Paris in 2017, his recent solo exhibitions include Open Space # 7 Jean Claracq, Fondation Louis Vuitton, Paris (2020), Fondation Sisley (2020), and group shows Boys Don’t Cry, Le Houloc, Aubervilliers (2020), agnès b., La Fab., Paris (2020).


Follow @JeanClaracq

Visit @GalerieSultana



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

320 episodios

Artwork

Jean Claracq

Talk Art

38 subscribers

published

iconCompartir
 
Manage episode 430795816 series 2616525
Contenido proporcionado por Russell Tovey and Robert Diament c/o Independent Talent, Russell Tovey, and Robert Diament. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Russell Tovey and Robert Diament c/o Independent Talent, Russell Tovey, and Robert Diament o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

We meet artist Jean Claracq to discuss painting, his recent shows with Galerie Sultana in Paris and Arles, plus what its like living and working from Marseille and its growing artistic community.


Jean Claracq brings the past forward via savvy remarks on the culture industry of the 21st century. Claracq’s paintings exploit, in the most delicate and refined form, the language of advertisement and social media to construct desire, fascination, and lust. With eclectic references that range from medieval paintings to elements of contemporary pop culture, a dystopian view of the joie de vivre unveils a new alternative to the divine perception of the world.


In his work, Jean evokes the ambiguity between joy and pleasure mixed with the anguish of an unstructured world on the verge of collapse. He evokes the architecture and study of suburban areas, in particular car parks, the symbol of a world alienated by consumerism to the point of sacrificing its own existence.


In 2023, he was awarded the Prix Pierre Cardin in Painting by the Académie des Beaux-Arts. Painter of miniatures and icons, Jean Claracq contributes to the dialogue between painting and digital art. His models come from social networks (Instagram, Grindr) and are part of a gay, marginal or culturally different community. They interact with many references to the history of old master painting (especially schools form Northern Europe). Attached to traditional techniques (oil on wood, attention to the smallest details), he plays with the possible reading levels and accurately depicts our relationship to screens and loneliness in an urban environment.


Claracq was Born in 1991 in Bayonne, France. Graduated from Beaux-Arts de Paris in 2017, his recent solo exhibitions include Open Space # 7 Jean Claracq, Fondation Louis Vuitton, Paris (2020), Fondation Sisley (2020), and group shows Boys Don’t Cry, Le Houloc, Aubervilliers (2020), agnès b., La Fab., Paris (2020).


Follow @JeanClaracq

Visit @GalerieSultana



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

320 episodios

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