In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenido proporcionado por Chris Webb, Rob Johnson, Chris Webb, and Rob Johnson. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Chris Webb, Rob Johnson, Chris Webb, and Rob Johnson o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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126. Empire Records (w. Audrey Porne)
Manage episode 441848065 series 2290153
Contenido proporcionado por Chris Webb, Rob Johnson, Chris Webb, and Rob Johnson. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Chris Webb, Rob Johnson, Chris Webb, and Rob Johnson o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
We mustn't dwell. No, not today. We CAN'T. Not on Sagpod Day! In this episode we go all the way back to a post-grunge 1995, as our special guest - New Zealand's First Lady Of Comedy Audrey Porne - has chosen the record store madhouse comedy, EMPIRE RECORDS.
BEWARE: For about 5 minutes, this episode contains a lot of the bad swearword. You know, THAT one. The one that's worse than feck.
END CREDITS
- Presented by Robert Johnson and Christopher Webb
- Produced/edited by Christopher Webb
- "Still Any Good?" logo designed by Graham Wood & Robert Johnson
- Crap poster mock-up by Christopher Webb
- Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission
(c) 2024 Tiger Feet Productions
Find us:
Twitter @stillanygoodpod
Instagram @stillanygoodpod
Email stillanygood@gmail.com
Find Audrey:
Twitter @audreyporne
Instagram @audrey.prne
Support the show
129 episodios
Compartir
Manage episode 441848065 series 2290153
Contenido proporcionado por Chris Webb, Rob Johnson, Chris Webb, and Rob Johnson. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Chris Webb, Rob Johnson, Chris Webb, and Rob Johnson o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
We mustn't dwell. No, not today. We CAN'T. Not on Sagpod Day! In this episode we go all the way back to a post-grunge 1995, as our special guest - New Zealand's First Lady Of Comedy Audrey Porne - has chosen the record store madhouse comedy, EMPIRE RECORDS.
BEWARE: For about 5 minutes, this episode contains a lot of the bad swearword. You know, THAT one. The one that's worse than feck.
END CREDITS
- Presented by Robert Johnson and Christopher Webb
- Produced/edited by Christopher Webb
- "Still Any Good?" logo designed by Graham Wood & Robert Johnson
- Crap poster mock-up by Christopher Webb
- Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission
(c) 2024 Tiger Feet Productions
Find us:
Twitter @stillanygoodpod
Instagram @stillanygoodpod
Email stillanygood@gmail.com
Find Audrey:
Twitter @audreyporne
Instagram @audrey.prne
Support the show
129 episodios
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Similar a Still Any Good?
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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Discover movies you may have missed and be warned about others you should. Hosts Anderson Cowan (Loveline) and Bryan Bishop (The Adam Carolla Show) hash out their contrasting film tastes in the form of weekly Top 5 lists and recent screening reviews of both new and old titles. With numerous recommendations each episode, The Film Vault is entertainment about entertainment and as a result is a show that keeps on giving.
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continue reading
Comedian and actor Gilbert Gottfried, a man Stephen King once called “a national treasure,” talks with the show business legends, icons and behind-the-scenes talents who shaped his childhood and influenced his comedy. Along with co-host and fellow pop culture fanatic Frank Santopadre, Gilbert is joined by comics, actors, musicians, talk show hosts, writers and other eyewitnesses to Hollywood history, including Bruce Dern, Chevy Chase, “Weird Al” Yankovic, Adam West, Steve Buscemi, Micky Dole ...
…
continue reading
Determining if all these so called classic films are indeed just that.
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…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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