In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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THEY LIVE (1988) ft. Josh Griffey // HollyWEIRD, California
Manage episode 428105175 series 2991030
Contenido proporcionado por DeVaughn Taylor. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente DeVaughn Taylor o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
The boys are here to podcast and chew bubble game, but they're alll out of bubble gum. Josh Griffey (Film Alchemist Podcast) stops by (virtually) stops by Downtown LA to discuss They Live. We discuss random celebrity encounters, Carpenter's raging direction, and how this film hits a little too close to home 36 years later. Obey!
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Specter Cinema Club Original Theme by Andrey Kinnard
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Compartir
Manage episode 428105175 series 2991030
Contenido proporcionado por DeVaughn Taylor. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente DeVaughn Taylor o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
The boys are here to podcast and chew bubble game, but they're alll out of bubble gum. Josh Griffey (Film Alchemist Podcast) stops by (virtually) stops by Downtown LA to discuss They Live. We discuss random celebrity encounters, Carpenter's raging direction, and how this film hits a little too close to home 36 years later. Obey!
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