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Program Notes: Elgar’s Enigma Variations

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Contenido proporcionado por The Florida Orchestra. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente The Florida Orchestra o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

The power of friendship. Edward Elgar’s most popular work, Enigma Variations, was dedicated to 14 friends portrayed in the pieces – from his wife to an Oxford professor, a bulldog and even Elgar himself. Like the Elgar, each section of Ravel’s Le Tombeau de Couperin (The Grave of Couperin) is dedicated to someone the composer knew, but this time they are friends who died on the battlefield. The music is far from gloomy. The composer once said, “the dead are sad enough, in their eternal silence.’’ In Brahms Double Concerto, the violin and cello are partners in a conversation with the orchestra, ending with a spirited rondo that harkens back to the composer’s own Hungarian Dances.
These program notes include music excerpts.
Masterworks 12 of the 23/24 Season
Performances May 17-19, 2024

  continue reading

42 episodios

Artwork
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Manage episode 418626291 series 3428443
Contenido proporcionado por The Florida Orchestra. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente The Florida Orchestra o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

The power of friendship. Edward Elgar’s most popular work, Enigma Variations, was dedicated to 14 friends portrayed in the pieces – from his wife to an Oxford professor, a bulldog and even Elgar himself. Like the Elgar, each section of Ravel’s Le Tombeau de Couperin (The Grave of Couperin) is dedicated to someone the composer knew, but this time they are friends who died on the battlefield. The music is far from gloomy. The composer once said, “the dead are sad enough, in their eternal silence.’’ In Brahms Double Concerto, the violin and cello are partners in a conversation with the orchestra, ending with a spirited rondo that harkens back to the composer’s own Hungarian Dances.
These program notes include music excerpts.
Masterworks 12 of the 23/24 Season
Performances May 17-19, 2024

  continue reading

42 episodios

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