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Begin The Beguine

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Manage episode 155225028 series 1150782
Contenido proporcionado por Sound Beat. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sound Beat o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

The story goes like this: Fats Waller, the great stride pianist, is playing in a club when he spots Art Tatum walk through the door. Waller stops, turns to the audience and announces: “I just play the piano, but God is in the house tonight.” Perhaps no pianist before or since has equaled Tatum’s technical and rhythmic mastery, harmonic imagination, and sheer ability to awe. Nearly blind since childhood, his trademark was the reworking of popular standards into solo showpieces. As was the case with his version of Cole Porter’s “Begin The Beguine”, recorded in 1940.

This episode was written in part by Syracuse University student Ryan Lu, as part of the Sound Beat Class Partnership project. To learn more about the program, visit soundbeat.org.

  continue reading

84 episodios

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Begin The Beguine

Sound Beat

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Manage episode 155225028 series 1150782
Contenido proporcionado por Sound Beat. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sound Beat o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

The story goes like this: Fats Waller, the great stride pianist, is playing in a club when he spots Art Tatum walk through the door. Waller stops, turns to the audience and announces: “I just play the piano, but God is in the house tonight.” Perhaps no pianist before or since has equaled Tatum’s technical and rhythmic mastery, harmonic imagination, and sheer ability to awe. Nearly blind since childhood, his trademark was the reworking of popular standards into solo showpieces. As was the case with his version of Cole Porter’s “Begin The Beguine”, recorded in 1940.

This episode was written in part by Syracuse University student Ryan Lu, as part of the Sound Beat Class Partnership project. To learn more about the program, visit soundbeat.org.

  continue reading

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