In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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Fashion Art Music and Animation on the Blockchain
Manage episode 437936422 series 2846486
Contenido proporcionado por Chonacas. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Chonacas o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Maxximillian Bio 2024
Museum of Robot Art, Glitches I’d Like To Finance (digital fine art), SuperKind Studios
Operating on the understanding that humans are robot ancestors, her advocacy for everything AI takes shape. Visual and performing artist, founder of The Museum of Robot Art, and SuperKind Studios, Maxximillian, is a prolific advocate for AI, AR, blockchain technology and its adoption for artistic, business, entertainment, financial, and lifestyle use cases.
In the face of social financial oppression against women, her advocacy for cryptocurrency takes shape. Through GILFs, an initiative breaking down barriers, we challenge societal norms that isolate women from financial conversations. It’s an opportunity for collaboration, where the bleeding edge of finance meets art.
Through her animated series SuperKind, an on-chain scripted series with sets designed in Blender 3D, currently in production, she models her visionary insights of our potential futures, in an entertaining way. Grab the popcorn but you won’t need the tissues.
“I see my on-chain art offerings as a time-limited collaboration, ushering in the messages and being the means for the actualization of our shared vision.”
Buy Links
“Carter Only Trades Tokens She Doesn’t Date Them”
Token: $DEGEN
Price: 10000 $DEGEN
Availability: Exclusively on Zora
https://zora.co/collect/base:0xa6a1615ced43b2e5f942707f504c43a71891b326/1
Buy Links
“Museum of Robot Art”
Token: $ETH
Price: 0.05 $ETH
Platform: NiftyKit
https://app.niftykit.com/collections/drops/museum-of-robot-art
Social Media
Telegram Open to Maxximillian Art Appreciators
Warpcast:: https://warpcast.com/maxximillian
YouTube :: https://youtube.com/@maxximillian?_sub1
Instagram:: https://instagram.com/imaxximillian
X:: https://x.com/maxximillian
LinkedIn:: https://linkedin.com/in/maxximillian
Connect more: https://www.chonacas.com/links/
190 episodios
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Manage episode 437936422 series 2846486
Contenido proporcionado por Chonacas. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Chonacas o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Maxximillian Bio 2024
Museum of Robot Art, Glitches I’d Like To Finance (digital fine art), SuperKind Studios
Operating on the understanding that humans are robot ancestors, her advocacy for everything AI takes shape. Visual and performing artist, founder of The Museum of Robot Art, and SuperKind Studios, Maxximillian, is a prolific advocate for AI, AR, blockchain technology and its adoption for artistic, business, entertainment, financial, and lifestyle use cases.
In the face of social financial oppression against women, her advocacy for cryptocurrency takes shape. Through GILFs, an initiative breaking down barriers, we challenge societal norms that isolate women from financial conversations. It’s an opportunity for collaboration, where the bleeding edge of finance meets art.
Through her animated series SuperKind, an on-chain scripted series with sets designed in Blender 3D, currently in production, she models her visionary insights of our potential futures, in an entertaining way. Grab the popcorn but you won’t need the tissues.
“I see my on-chain art offerings as a time-limited collaboration, ushering in the messages and being the means for the actualization of our shared vision.”
Buy Links
“Carter Only Trades Tokens She Doesn’t Date Them”
Token: $DEGEN
Price: 10000 $DEGEN
Availability: Exclusively on Zora
https://zora.co/collect/base:0xa6a1615ced43b2e5f942707f504c43a71891b326/1
Buy Links
“Museum of Robot Art”
Token: $ETH
Price: 0.05 $ETH
Platform: NiftyKit
https://app.niftykit.com/collections/drops/museum-of-robot-art
Social Media
Telegram Open to Maxximillian Art Appreciators
Warpcast:: https://warpcast.com/maxximillian
YouTube :: https://youtube.com/@maxximillian?_sub1
Instagram:: https://instagram.com/imaxximillian
X:: https://x.com/maxximillian
LinkedIn:: https://linkedin.com/in/maxximillian
Connect more: https://www.chonacas.com/links/
190 episodios
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Similar a She's All Over the Place
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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continue reading
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