In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Poverty in the UK: New Approaches to Storytelling
Manage episode 226934102 series 39729
Contenido proporcionado por Sheffield DocFest and Sheffield Doc/Fest. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sheffield DocFest and Sheffield Doc/Fest o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Poverty in the UK is increasing for the first time in two decades. We are seeing more people struggling to make ends meet. Does television set out accurately the complexities of living in poverty, or too crudely as either a deserving economic victim or undeserving ‘scrounger’? How can we tell more accurate stories of poverty to skeptical audiences, for a fuller debate and actions?
A panel from Sheffield Doc/Fest 2018 debate these questions and more. Chaired by Poppy Noor (The Guardian) with the writer Jack Monroe, the filmmakers Mark Raphael and Daisy-May Hudson and Chief Executive of the Joseph Rowntree Foundation, Campbell Robb.
Supported by JRF and Guardian
101 episodios
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Manage episode 226934102 series 39729
Contenido proporcionado por Sheffield DocFest and Sheffield Doc/Fest. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sheffield DocFest and Sheffield Doc/Fest o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Poverty in the UK is increasing for the first time in two decades. We are seeing more people struggling to make ends meet. Does television set out accurately the complexities of living in poverty, or too crudely as either a deserving economic victim or undeserving ‘scrounger’? How can we tell more accurate stories of poverty to skeptical audiences, for a fuller debate and actions?
A panel from Sheffield Doc/Fest 2018 debate these questions and more. Chaired by Poppy Noor (The Guardian) with the writer Jack Monroe, the filmmakers Mark Raphael and Daisy-May Hudson and Chief Executive of the Joseph Rowntree Foundation, Campbell Robb.
Supported by JRF and Guardian
101 episodios
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Similar a Sheffield DocFest Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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continue reading
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…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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