In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Breaking the Class Ceiling
Manage episode 252053154 series 39729
Contenido proporcionado por Sheffield DocFest and Sheffield Doc/Fest. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sheffield DocFest and Sheffield Doc/Fest o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
In 2018, socio-economic inequality in the television and film industry became National news, when the Panic! report revealed that the industry was becoming less welcoming to talent from working class backgrounds. Much lip-service was paid to improving access in the months that followed, but what has really changed in a year? Our panel of filmmakers and commissioners discuss their experiences of making it in the industry without connections, a trust fund or private school education.
Chaired by journalist and broadcaster Danny Leigh with Fiona Campbell (Controller of BBC3), filmmakers Paul Sng, Billie Porter and Victoria Musguin-Rowe, and journalist Kieren Yates.
The session was produced by Victoria Musguin-Rowe.
101 episodios
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Manage episode 252053154 series 39729
Contenido proporcionado por Sheffield DocFest and Sheffield Doc/Fest. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sheffield DocFest and Sheffield Doc/Fest o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
In 2018, socio-economic inequality in the television and film industry became National news, when the Panic! report revealed that the industry was becoming less welcoming to talent from working class backgrounds. Much lip-service was paid to improving access in the months that followed, but what has really changed in a year? Our panel of filmmakers and commissioners discuss their experiences of making it in the industry without connections, a trust fund or private school education.
Chaired by journalist and broadcaster Danny Leigh with Fiona Campbell (Controller of BBC3), filmmakers Paul Sng, Billie Porter and Victoria Musguin-Rowe, and journalist Kieren Yates.
The session was produced by Victoria Musguin-Rowe.
101 episodios
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Similar a Sheffield DocFest Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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