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BAFTA Masterclass: Matthew Heineman
Manage episode 219753551 series 39729
Contenido proporcionado por Sheffield DocFest and Sheffield Doc/Fest. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sheffield DocFest and Sheffield Doc/Fest o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Manage episode 219753551 series 39729
Contenido proporcionado por Sheffield DocFest and Sheffield Doc/Fest. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sheffield DocFest and Sheffield Doc/Fest o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Matthew Heineman, the BAFTA- and Oscar- nominated director, is one of the most exciting documentary filmmakers working today. His films City of Ghosts and Cartel Land offered searing comment on the fight against ISIS and the war on drugs. In conversation with Mariayah Kaderbhai (BAFTA) Matthew discusses these films and his latest documentary series The Trade depicting the US heroin epidemic. Supported by BAFTA.
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Similar a Sheffield DocFest Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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