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Episode 154 - Brink
Manage episode 398509057 series 2376240
Contenido proporcionado por Sharks Across Hollywood. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sharks Across Hollywood o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
It's our first and probably only DCOM we're ever talking about in the SharkPod until Andrew can convince The Rev that Johnny Tsunami is even better than this one!
Follow us on Facebook, Twitter, and Instagram @thesharkpod
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Manage episode 398509057 series 2376240
Contenido proporcionado por Sharks Across Hollywood. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sharks Across Hollywood o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
It's our first and probably only DCOM we're ever talking about in the SharkPod until Andrew can convince The Rev that Johnny Tsunami is even better than this one!
Follow us on Facebook, Twitter, and Instagram @thesharkpod
Donate at patreon.com/sharksacrosshollywood
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165 episodios
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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