From the creators of Archive 81 comes The Deep Vault, a serialized audio drama set in an almost-post-apocalyptic United States. The story follows a group of longtime friends as they journey from the uninhabitable surface world into a mysterious underground bunker in search of safety and shelter. New episodes to be released every other Wednesday. Twitter: @thedeepvault Facebook: www.facebook.com/deepvault Website: www.deepvaultpodcast.com Email: deepvaultpodcast@gmail.com Patreon: patreon.com ...
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Contenido proporcionado por Shakespeare and Contemporary Theory and Neema Parvini. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Shakespeare and Contemporary Theory and Neema Parvini o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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SCT #34: Shakespeare and Trump with Jeffrey R. Wilson
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Manage episode 166678391 series 1120732
Contenido proporcionado por Shakespeare and Contemporary Theory and Neema Parvini. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Shakespeare and Contemporary Theory and Neema Parvini o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Neema welcomes Jeffrey R. Wilson (Harvard) to discuss the election of Donald Trump, its impact on the intellectual climate, and some of the ways in which Shakespeare was used in the coverage of the US election. Wilson’s essay, “Public Shakespeareanism: The Bard in the 2016 American Presidential Election,” is available upon request from the author; email jeffreywilson@fas.harvard.edu. The instances of “public Shakespeareanism” discussed in the essay and the podcast include: Andrew Cutrofello, “Shakespeare and Trump: What’s in a Name?” PublicSeminar.com (December 15, 2015), http://www.publicseminar.org/2015/12/shakespeare-and-trump-whats-in-a-name. Brian Leiter, “Shakespeare on Trump: Money Made the Man,” The Huffington Post (Feb 29, 2016), http://www.huffingtonpost.com/brian-leiter/shakespeare-on-trump-money-made-the-man_b_9344370.html. Charles McNulty, “The Theater of Trump: What Shakespeare can teach us about the Donald,” Los Angeles Times (May 26, 2016), http://www.latimes.com/entertainment/arts/la-ca-cm-0529-shakespeare-trump-20160518-snap-htmlstory.html. Paul Hamilton, “Trumping Shakespeare: Donald Trump, Boris Johnson, and the Rise of the Clown Politician,” Kingston Shakespeare Seminar (July 11, 2016), https://kingstonshakespeareseminar.wordpress.com/2016/07/11/trumping-shakespeare-donald-trump-boris-johnson-and-the-rise-of-the-clown-politician/. Peter C. Herman, “Shakespeare’s ‘Macbeth,’ Donald Trump, and the Republican Party,” Times of San Diego (Aug. 7, 2016), https://timesofsandiego.com/opinion/2016/08/07/shakespeares-macbeth-donald-trump-and-the-republican-party/. Stephen Greenblatt, “Shakespeare Explains the 2016 Election,” New York Times Sunday Review (Oct. 8, 2016), http://www.nytimes.com/2016/10/09/opinion/sunday/shakespeare-explains-the-2016-election.html.
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8 episodios
MP3•Episodio en casa
Manage episode 166678391 series 1120732
Contenido proporcionado por Shakespeare and Contemporary Theory and Neema Parvini. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Shakespeare and Contemporary Theory and Neema Parvini o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Neema welcomes Jeffrey R. Wilson (Harvard) to discuss the election of Donald Trump, its impact on the intellectual climate, and some of the ways in which Shakespeare was used in the coverage of the US election. Wilson’s essay, “Public Shakespeareanism: The Bard in the 2016 American Presidential Election,” is available upon request from the author; email jeffreywilson@fas.harvard.edu. The instances of “public Shakespeareanism” discussed in the essay and the podcast include: Andrew Cutrofello, “Shakespeare and Trump: What’s in a Name?” PublicSeminar.com (December 15, 2015), http://www.publicseminar.org/2015/12/shakespeare-and-trump-whats-in-a-name. Brian Leiter, “Shakespeare on Trump: Money Made the Man,” The Huffington Post (Feb 29, 2016), http://www.huffingtonpost.com/brian-leiter/shakespeare-on-trump-money-made-the-man_b_9344370.html. Charles McNulty, “The Theater of Trump: What Shakespeare can teach us about the Donald,” Los Angeles Times (May 26, 2016), http://www.latimes.com/entertainment/arts/la-ca-cm-0529-shakespeare-trump-20160518-snap-htmlstory.html. Paul Hamilton, “Trumping Shakespeare: Donald Trump, Boris Johnson, and the Rise of the Clown Politician,” Kingston Shakespeare Seminar (July 11, 2016), https://kingstonshakespeareseminar.wordpress.com/2016/07/11/trumping-shakespeare-donald-trump-boris-johnson-and-the-rise-of-the-clown-politician/. Peter C. Herman, “Shakespeare’s ‘Macbeth,’ Donald Trump, and the Republican Party,” Times of San Diego (Aug. 7, 2016), https://timesofsandiego.com/opinion/2016/08/07/shakespeares-macbeth-donald-trump-and-the-republican-party/. Stephen Greenblatt, “Shakespeare Explains the 2016 Election,” New York Times Sunday Review (Oct. 8, 2016), http://www.nytimes.com/2016/10/09/opinion/sunday/shakespeare-explains-the-2016-election.html.
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