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Contenido proporcionado por Sam Freeman. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sam Freeman o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Episode 3 - Jacob Slichter (Semisonic Drummer)

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Manage episode 426371313 series 3571953
Contenido proporcionado por Sam Freeman. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sam Freeman o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

In the late 90s, hardly any bands were more ubiquitous than Semisonic. Thanks to their breakout hit "Closing Time", they shot to the top of the charts and cemented themselves as rock stars of that era. As the band's drummer, Jacob Slichter enjoyed the upsides of that period, from limousine rides to arena shows and TV appearances. However, what he didn't know was the vast amounts of payola needed to make their music successful. Their record label spent millions of dollars paying radio stations to play their music, and even if the results were ultimately positive, it left the band in debt up to their ears.

Jacob and I chatted about his early days as a musician, how Semisonic came to find success, what it's like being signed to a major label, and how payola worked in the 90s.

  continue reading

3 episodios

Artwork
iconCompartir
 
Manage episode 426371313 series 3571953
Contenido proporcionado por Sam Freeman. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Sam Freeman o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

In the late 90s, hardly any bands were more ubiquitous than Semisonic. Thanks to their breakout hit "Closing Time", they shot to the top of the charts and cemented themselves as rock stars of that era. As the band's drummer, Jacob Slichter enjoyed the upsides of that period, from limousine rides to arena shows and TV appearances. However, what he didn't know was the vast amounts of payola needed to make their music successful. Their record label spent millions of dollars paying radio stations to play their music, and even if the results were ultimately positive, it left the band in debt up to their ears.

Jacob and I chatted about his early days as a musician, how Semisonic came to find success, what it's like being signed to a major label, and how payola worked in the 90s.

  continue reading

3 episodios

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