In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 88: How Dee Rees Went From Film School to Oscar Nominee in a Decade
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Manage episode 219519196 series 1758802
Contenido proporcionado por TIFF Long Take and TIFF (Toronto International Film Festival). Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente TIFF Long Take and TIFF (Toronto International Film Festival) o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week on TIFF Long Take, Rob sits down with director and screenwriter, Dee Rees. Beginning with her excellent semi-autobiographical debut 'Pariah' (2011), Rees has earned the reputation as one of her generation’s most exciting filmmakers. Her most recent feature film, 'Mudbound' (2017), earned 4 Academy Award nominations, including a Best Adapted Screenplay nomination for Rees; making her the first black woman to be nominated for any Academy Award in a writing category.
Rees talks about the series of events that led her to NYU film school, working with mentors like Spike Lee and Lee Daniels, and long road to her first feature film, 'Pariah'.
She also discusses why Netflix was the only studio to take a chance on 'Mudbound', how she approaches adaptation as an auteur, and what genre she would like to work in next.
102 episodios
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Series guardadas ("Feed inactivo" status)
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This feed was archived on October 06, 2024 10:08 (
Why? Feed inactivo status. Nuestros servidores no pudieron recuperar un podcast válido durante un período sostenido.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 219519196 series 1758802
Contenido proporcionado por TIFF Long Take and TIFF (Toronto International Film Festival). Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente TIFF Long Take and TIFF (Toronto International Film Festival) o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week on TIFF Long Take, Rob sits down with director and screenwriter, Dee Rees. Beginning with her excellent semi-autobiographical debut 'Pariah' (2011), Rees has earned the reputation as one of her generation’s most exciting filmmakers. Her most recent feature film, 'Mudbound' (2017), earned 4 Academy Award nominations, including a Best Adapted Screenplay nomination for Rees; making her the first black woman to be nominated for any Academy Award in a writing category.
Rees talks about the series of events that led her to NYU film school, working with mentors like Spike Lee and Lee Daniels, and long road to her first feature film, 'Pariah'.
She also discusses why Netflix was the only studio to take a chance on 'Mudbound', how she approaches adaptation as an auteur, and what genre she would like to work in next.
102 episodios
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Similar a TIFF Long Take
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
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continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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continue reading
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…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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