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What Makes a Doc a Doc? Expanding Artforms
Manage episode 236213746 series 1320235
Contenido proporcionado por Producers Guild of America Kevyn Fairchild and Producers Guild of America. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Producers Guild of America Kevyn Fairchild and Producers Guild of America o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
The popularity of the documentary genre has grown exponentially over the last two decades, due in large part to producers’ willingness to push the boundaries of the form. Re-enactments, animation and a variety of experimental and hybrid styles have taken their place alongside the more traditional observational and verité formats, leading to an unprecedented renaissance of non-fiction storytelling.
How does the producer’s choice of subject matter affect their choice of format, and vice-versa? What implications does formal innovation have for the producer’s ability to communicate a subject’s truth? And what impact have these new approaches had on the market for documentaries?
Session Sponsor:
Speakers:
Dan Braun, Co-President, Submarine; Kusama – Infinity, Wild Wild Country
Marta Kauffman, Writer/Director/Producer, Okay Goodnight; Seeing Allred, Grace and Frankie
Errol Morris; Wormwood, The Fog of War
Ceyda Torun, Co-Founder, Termite Films; Kedi
Moderator:
Diane Becker, Co-Founder/Producer, Fishbowl Films; Inventing Tomorrow, If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd
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