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Contenido proporcionado por Jennifer Keishin Armstrong & Kimberly Potts, Jennifer Keishin Armstrong, and Kimberly Potts. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Jennifer Keishin Armstrong & Kimberly Potts, Jennifer Keishin Armstrong, and Kimberly Potts o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Rock Me on the Water: How 1974 Changed Hollywood’s Politics Forever, with Ronald Brownstein

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Contenido proporcionado por Jennifer Keishin Armstrong & Kimberly Potts, Jennifer Keishin Armstrong, and Kimberly Potts. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Jennifer Keishin Armstrong & Kimberly Potts, Jennifer Keishin Armstrong, and Kimberly Potts o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

In 1974, Los Angeles crackled with astonishing creative output: movies such as Chinatown, The Godfather Part II, Shampoo, and Nashville; seminal albums from Joni Mitchell, Linda Ronstadt, Jackson Browne, and the Eagles; and the TV series All in the Family, The Mary Tyler Moore Show, and M*A*S*H. Not only were these great works of art, but they also signaled a major shift in Hollywood, from ignoring the political upheaval of the previous decade to reflecting the progressive values a huge, new, young audience of Baby Boomers demanded.

This is the story captured by two-time Pulitzer Prize finalist Ronald Brownstein in his new bestseller Rock Me on the Water: 1974, The Year Los Angeles Transformed Movies, Music, Television and Politics. We talk to Brownstein about the importance of such works as All in the Family, Chinatown, and Jackson Browne’s “Rock Me on the Water”; the lasting cultural legacy of 1974; and why anyone who cares about politics should be paying more attention to pop culture.

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92 episodios

Artwork
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Manage episode 289974672 series 2481685
Contenido proporcionado por Jennifer Keishin Armstrong & Kimberly Potts, Jennifer Keishin Armstrong, and Kimberly Potts. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Jennifer Keishin Armstrong & Kimberly Potts, Jennifer Keishin Armstrong, and Kimberly Potts o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

In 1974, Los Angeles crackled with astonishing creative output: movies such as Chinatown, The Godfather Part II, Shampoo, and Nashville; seminal albums from Joni Mitchell, Linda Ronstadt, Jackson Browne, and the Eagles; and the TV series All in the Family, The Mary Tyler Moore Show, and M*A*S*H. Not only were these great works of art, but they also signaled a major shift in Hollywood, from ignoring the political upheaval of the previous decade to reflecting the progressive values a huge, new, young audience of Baby Boomers demanded.

This is the story captured by two-time Pulitzer Prize finalist Ronald Brownstein in his new bestseller Rock Me on the Water: 1974, The Year Los Angeles Transformed Movies, Music, Television and Politics. We talk to Brownstein about the importance of such works as All in the Family, Chinatown, and Jackson Browne’s “Rock Me on the Water”; the lasting cultural legacy of 1974; and why anyone who cares about politics should be paying more attention to pop culture.

Resource Links:

  continue reading

92 episodios

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