In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Contenido proporcionado por Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Ep. 52: The 15:17 To Paris (2018) with John Semley
Manage episode 396405495 series 3520445
Contenido proporcionado por Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Life has been catapulting us toward this moment...the episode where we lose our minds singing the praises of THE 15:17 TO PARIS with returning guest, writer and Slow Learners Podcast host John Semley! Join us for several hours of exaltant analysis of Clint Eastwood's 2018 avant garde docudrama, starring the real guys who really tackled a heavily armed shirtless man on a train. We really get into it here, folks: millennial masculinity amid the bleak futurelessness in which we've all spent most of our lives, re-enactments/non-professional actors in cinema history, and the transcendental quality of Dutch nightclubs. Listen up or we'll kick you out of Air Force sewing class!
Topics include: Clint as optimistic Hill/McBride, trains, Clint making some big and unequivocally not-lazy choices, Ian invokes Bresson a bunch, millennial grammar, the supporting cast of sitcom players, major breakthoughs on Clintertextuality, and more!
Follow John Semley:
https://twitter.com/johnsemley3000
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Artwork by Jeremy Allison:
91 episodios
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Manage episode 396405495 series 3520445
Contenido proporcionado por Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Jake Serwin & Ian Rhine, Jake Serwin, and Ian Rhine o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Life has been catapulting us toward this moment...the episode where we lose our minds singing the praises of THE 15:17 TO PARIS with returning guest, writer and Slow Learners Podcast host John Semley! Join us for several hours of exaltant analysis of Clint Eastwood's 2018 avant garde docudrama, starring the real guys who really tackled a heavily armed shirtless man on a train. We really get into it here, folks: millennial masculinity amid the bleak futurelessness in which we've all spent most of our lives, re-enactments/non-professional actors in cinema history, and the transcendental quality of Dutch nightclubs. Listen up or we'll kick you out of Air Force sewing class!
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Follow John Semley:
https://twitter.com/johnsemley3000
https://www.podcastyforme.com/
Follow Pod Casty For Me:
https://twitter.com/podcastyforme
https://www.instagram.com/podcastyforme/
https://www.youtube.com/@podcastyforme
Support us on Patreon:
https://www.patreon.com/PodCastyForMe
Artwork by Jeremy Allison:
91 episodios
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Similar a Pod Casty For Me
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
Are you afraid to be alone with your own thoughts? Would you rather hear stories and conversations from three idiots stumbling through womanhood? Well, you’re in the right place! From the minds and mouths of Keltie Knight, Jac Vanek, and Becca Tobin, the LADYGANG podcast intends to make women feel less alone. Each week the ladies welcome celebrity guests, experts, or chat amongst themselves about all things lady.
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
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