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Contenido proporcionado por Diana Erickson. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Diana Erickson o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Revisiting Paul McCartney's Creative Practice With Phillip McIntyre And Paul Thompson

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Manage episode 360093320 series 2878895
Contenido proporcionado por Diana Erickson. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Diana Erickson o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
In this episode, Diana explores Paul McCartney's artistry and creative process with Phillip McIntyre and Paul Thompson, authors of the book: “Paul McCartney and His Creative Practice. The Beatles and Beyond.” Phillip, Paul, and Diana have a wide-ranging discussion that covers topics such as flow state, collaboration, Crocodile Dundee, and how Paul McCartney is like James Bond. Phillip McIntyre is a Professor of Communication and Media at the University of Newcastle, Australia where he researches creativity and innovation. Phillip has published widely with a particular focus on the creative processes involved in various aspects of music including songwriting, sound engineering, and record production. He is the author of Creativity and Cultural Production: Issues for Media Practice (2012), co-editor of Creativity as a System in Action (2016), and co-author of Educating for Creativity within Higher Education (2018). Phillip also has extensive experience within the music industry. Paul Thompson is a professional recording engineer and producer who has worked in the music industry for over 15 years. He is currently a Reader in Popular Music at Leeds Beckett University in Leeds School of Arts. His research is centered on record production, audio education, popular music heritage, creativity, and cultural production in popular music. His book ‘Creativity in the Recording Studio: Alternative Takes’ was published in early 2019 by Palgrave MacMillan. @paulthompson81 Podcast information: Onesweetdreampodcast.com Onesweetdreampodcast@gmail.com @onesweetdreamdi @onesweetdreampodcast Patreon.com/onesweetdream
Advertising Inquiries: https://redcircle.com/brands
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76 episodios

Artwork
iconCompartir
 
Manage episode 360093320 series 2878895
Contenido proporcionado por Diana Erickson. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Diana Erickson o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
In this episode, Diana explores Paul McCartney's artistry and creative process with Phillip McIntyre and Paul Thompson, authors of the book: “Paul McCartney and His Creative Practice. The Beatles and Beyond.” Phillip, Paul, and Diana have a wide-ranging discussion that covers topics such as flow state, collaboration, Crocodile Dundee, and how Paul McCartney is like James Bond. Phillip McIntyre is a Professor of Communication and Media at the University of Newcastle, Australia where he researches creativity and innovation. Phillip has published widely with a particular focus on the creative processes involved in various aspects of music including songwriting, sound engineering, and record production. He is the author of Creativity and Cultural Production: Issues for Media Practice (2012), co-editor of Creativity as a System in Action (2016), and co-author of Educating for Creativity within Higher Education (2018). Phillip also has extensive experience within the music industry. Paul Thompson is a professional recording engineer and producer who has worked in the music industry for over 15 years. He is currently a Reader in Popular Music at Leeds Beckett University in Leeds School of Arts. His research is centered on record production, audio education, popular music heritage, creativity, and cultural production in popular music. His book ‘Creativity in the Recording Studio: Alternative Takes’ was published in early 2019 by Palgrave MacMillan. @paulthompson81 Podcast information: Onesweetdreampodcast.com Onesweetdreampodcast@gmail.com @onesweetdreamdi @onesweetdreampodcast Patreon.com/onesweetdream
Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
  continue reading

76 episodios

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