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Manage episode 426289935 series 1034284
Contenido proporcionado por Gary Linton and Eric Spiegel. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Gary Linton and Eric Spiegel o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This episode we turn our eye back to the week of April 23, 1994. We talk over the merits of Blur's Parklife and then we discuss the faults of No Escape from director Martin Campbell. With guest, Greg Cejas.
Links and Show Notes:
105 episodios
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Manage episode 426289935 series 1034284
Contenido proporcionado por Gary Linton and Eric Spiegel. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Gary Linton and Eric Spiegel o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This episode we turn our eye back to the week of April 23, 1994. We talk over the merits of Blur's Parklife and then we discuss the faults of No Escape from director Martin Campbell. With guest, Greg Cejas.
Links and Show Notes:
105 episodios
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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