A feed from the Slate podcast network featuring episodes with enlightening conversations, opposing views, and plenty of healthy disputes. You'll get a curated selection of episodes from programs like What Next, The Waves, and the Political Gabfest, with deep discussions that go beyond point-counterpoint and shed light on the issues that matter most.
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175: #175 | Up The Lagan In A Bubble: Line of Duty and the Irish Cop Trope
MP3•Episodio en casa
Manage episode 291151270 series 1929533
Contenido proporcionado por HeadStuff Podcasts. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente HeadStuff Podcasts o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Jesus, Mary and Joseph and the Wee Donkey.
Everyone is hooked on “Line of Duty” at the moment, the latest reinvention of the cop show genre - and, fittingly, a reinvention of the “Irish cop” trope which is even older than television. But why did this format - a legacy from the era of segregation and McCarthyism - survive when westerns, Elvis movies, and musicals either die off or get resurrected beyond recognition?
More than any other part of the state, policing is understood in the context of police shows. Its shortcomings are explained in the context of the internal conflicts of relatable protagonists while teachers and politicians continue to be antagonists, doctors and lawyers are allowed save the world from the private sector, and nurse/librarian protagonists in mainstream drama are outnumbered by their porno equivalents. The cop show is not going anywhere, absorbing bits of other formats in its path, and the Irish cop is a part of it.
In today’s episode, Darach, Gearóidín and Peadar discuss the evolution of the cop show and the Irish cop trope and consider how Hastings has brought significant chunks of Hiberno-English to a large audience. And as Gearóidín admits to a strange crush, Darach takes a surprising perspective on one of the 20th century’s most notorious criminals.
---
Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast?
Check out our studios at https://thepodcaststudios.ie
Or do it online at https://remotely.fm/?coddle
…
continue reading
Everyone is hooked on “Line of Duty” at the moment, the latest reinvention of the cop show genre - and, fittingly, a reinvention of the “Irish cop” trope which is even older than television. But why did this format - a legacy from the era of segregation and McCarthyism - survive when westerns, Elvis movies, and musicals either die off or get resurrected beyond recognition?
More than any other part of the state, policing is understood in the context of police shows. Its shortcomings are explained in the context of the internal conflicts of relatable protagonists while teachers and politicians continue to be antagonists, doctors and lawyers are allowed save the world from the private sector, and nurse/librarian protagonists in mainstream drama are outnumbered by their porno equivalents. The cop show is not going anywhere, absorbing bits of other formats in its path, and the Irish cop is a part of it.
In today’s episode, Darach, Gearóidín and Peadar discuss the evolution of the cop show and the Irish cop trope and consider how Hastings has brought significant chunks of Hiberno-English to a large audience. And as Gearóidín admits to a strange crush, Darach takes a surprising perspective on one of the 20th century’s most notorious criminals.
---
Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast?
Check out our studios at https://thepodcaststudios.ie
Or do it online at https://remotely.fm/?coddle
Learn more about your ad choices. Visit megaphone.fm/adchoices
196 episodios
MP3•Episodio en casa
Manage episode 291151270 series 1929533
Contenido proporcionado por HeadStuff Podcasts. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente HeadStuff Podcasts o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Jesus, Mary and Joseph and the Wee Donkey.
Everyone is hooked on “Line of Duty” at the moment, the latest reinvention of the cop show genre - and, fittingly, a reinvention of the “Irish cop” trope which is even older than television. But why did this format - a legacy from the era of segregation and McCarthyism - survive when westerns, Elvis movies, and musicals either die off or get resurrected beyond recognition?
More than any other part of the state, policing is understood in the context of police shows. Its shortcomings are explained in the context of the internal conflicts of relatable protagonists while teachers and politicians continue to be antagonists, doctors and lawyers are allowed save the world from the private sector, and nurse/librarian protagonists in mainstream drama are outnumbered by their porno equivalents. The cop show is not going anywhere, absorbing bits of other formats in its path, and the Irish cop is a part of it.
In today’s episode, Darach, Gearóidín and Peadar discuss the evolution of the cop show and the Irish cop trope and consider how Hastings has brought significant chunks of Hiberno-English to a large audience. And as Gearóidín admits to a strange crush, Darach takes a surprising perspective on one of the 20th century’s most notorious criminals.
---
Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast?
Check out our studios at https://thepodcaststudios.ie
Or do it online at https://remotely.fm/?coddle
…
continue reading
Everyone is hooked on “Line of Duty” at the moment, the latest reinvention of the cop show genre - and, fittingly, a reinvention of the “Irish cop” trope which is even older than television. But why did this format - a legacy from the era of segregation and McCarthyism - survive when westerns, Elvis movies, and musicals either die off or get resurrected beyond recognition?
More than any other part of the state, policing is understood in the context of police shows. Its shortcomings are explained in the context of the internal conflicts of relatable protagonists while teachers and politicians continue to be antagonists, doctors and lawyers are allowed save the world from the private sector, and nurse/librarian protagonists in mainstream drama are outnumbered by their porno equivalents. The cop show is not going anywhere, absorbing bits of other formats in its path, and the Irish cop is a part of it.
In today’s episode, Darach, Gearóidín and Peadar discuss the evolution of the cop show and the Irish cop trope and consider how Hastings has brought significant chunks of Hiberno-English to a large audience. And as Gearóidín admits to a strange crush, Darach takes a surprising perspective on one of the 20th century’s most notorious criminals.
---
Support Motherfocloir on Patreon: https://www.patreon.com/darach
Get Kirsten Shiel art prints here: https://www.inprnt.com/gallery/kirstenshiel/
---
Contact the show:
whatsapp - +353894784713
twitter - @motherfocloir and @theirishfor
email - motherfocloir@headstuff.org
---
Want to record your own podcast?
Check out our studios at https://thepodcaststudios.ie
Or do it online at https://remotely.fm/?coddle
Learn more about your ad choices. Visit megaphone.fm/adchoices
196 episodios
Kaikki jaksot
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