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Spine 592: Design for Living

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Contenido proporcionado por Lost in Criterion. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Lost in Criterion o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Noel Coward's Design for Living premiered in Cleveland, Ohio -- apparently the world's bastion of progressive and transgressive theater at the time -- on January 2, 1933. By the end of the month it would be on Broadway, by the end of the year Ernst Lubitsch and Ben Hecht would adapt it into the sexiest film of 1933. Meanwhile, Coward wouldn't stage the play in his native England for nearly another decade. Why? Well, one there's the scandal of even portraying a polyamorous relationship, but then Coward's play, like Truffaut's Jules et Jim (1962), portrays polyamory only to show it not working. That's one of the major changes in Lubitsch's version, and the film is all the more scandalous for it: here the relationship is rocky but in the end works out, maybe. No wonder the Production Code Administration hated it.

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603 episodios

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Manage episode 412179962 series 2883660
Contenido proporcionado por Lost in Criterion. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Lost in Criterion o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.

Noel Coward's Design for Living premiered in Cleveland, Ohio -- apparently the world's bastion of progressive and transgressive theater at the time -- on January 2, 1933. By the end of the month it would be on Broadway, by the end of the year Ernst Lubitsch and Ben Hecht would adapt it into the sexiest film of 1933. Meanwhile, Coward wouldn't stage the play in his native England for nearly another decade. Why? Well, one there's the scandal of even portraying a polyamorous relationship, but then Coward's play, like Truffaut's Jules et Jim (1962), portrays polyamory only to show it not working. That's one of the major changes in Lubitsch's version, and the film is all the more scandalous for it: here the relationship is rocky but in the end works out, maybe. No wonder the Production Code Administration hated it.

  continue reading

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