In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Revisiting John Knoll, Visual Effects Supervisor for “Mission: Impossible” and “Mission: Impossible – Ghost Protocol”
Manage episode 413328497 series 2480914
Contenido proporcionado por Paramount Pictures. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Paramount Pictures o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
John Knoll is one of the most legendary visual effects artists in history. He also served as the visual effects supervisor for both the first “Mission: Impossible” and “Mission: Impossible – Ghost Protocol.” He talks about the shot he did on the first film to get his name in the opening credits, working with “Mission: Impossible – Ghost Protocol” director Brad Bird on the unmade earthquake epic “1906” and we get his Tom Cruise hair rankings.
This episode was originally released in February 2020.
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Manage episode 413328497 series 2480914
Contenido proporcionado por Paramount Pictures. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Paramount Pictures o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
John Knoll is one of the most legendary visual effects artists in history. He also served as the visual effects supervisor for both the first “Mission: Impossible” and “Mission: Impossible – Ghost Protocol.” He talks about the shot he did on the first film to get his name in the opening credits, working with “Mission: Impossible – Ghost Protocol” director Brad Bird on the unmade earthquake epic “1906” and we get his Tom Cruise hair rankings.
This episode was originally released in February 2020.
You can own “Mission: Impossible – Dead Reckoning” on digital and 4K HD, Blu-ray and DVD now.
Learn more about your ad choices. Visit megaphone.fm/adchoices
75 episodios
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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