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Contenido proporcionado por Brainard Carey. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Brainard Carey o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
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Esther Sibiude

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Manage episode 372474901 series 2931750
Contenido proporcionado por Brainard Carey. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Brainard Carey o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Esther Sibiude: The Song of Dirt Stammers our Tongue performance at the Kitchen at Westbeth on June 16, 2023. Credit: Rebecca Smeyne for The Kitchen Esther Sibiude is a visual artist, writer, and harpist working in New York. She studied Fine Arts at the Universität der Künste Berlin from 2009-2014. She currently has a show of new drawings at Entrance Gallery in New York City. In complement to her visual art practice she writes radio dramas and curates compilations of poetry and music for radio. Recent performances that she has written, directed and played harp in include “The Song of Dirt Stammers Our Tongue” a live staged radio operetta performed at the Kitchen last month, and “Esra” a live staged adaptation of a radio drama, performed in the panorama of New York City at the Queens Museum. Esther Sibiude’s music ensemble includes a violist, cellist, vocalist, an organist who plays the synthesizer, and herself on the harp. 'One morning of all the mornings in the world, existence and its problematic aspect rose. Somewhere in this chaotic universe, in a relatively rare occurrence, molecular randomness generated organic proteins.', 2018Colored pencil on paper, 25½ x 31½ in. (Framed) 'Once upon a time, not so long ago, there was a calendar of space whose nature was to distribute good and bad luck. On day one, the calendar imposed vertiginous symmetries. An empty sound sprinkled into pink air.', 2022Colored pencil on paper, 25½ x 31½ in. (Framed) 'Her mind slipped down the stairs.', 2023Colored pencil on paper, 26½ x 38½ in. (Framed)
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250 episodios

Artwork
iconCompartir
 
Manage episode 372474901 series 2931750
Contenido proporcionado por Brainard Carey. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Brainard Carey o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
Esther Sibiude: The Song of Dirt Stammers our Tongue performance at the Kitchen at Westbeth on June 16, 2023. Credit: Rebecca Smeyne for The Kitchen Esther Sibiude is a visual artist, writer, and harpist working in New York. She studied Fine Arts at the Universität der Künste Berlin from 2009-2014. She currently has a show of new drawings at Entrance Gallery in New York City. In complement to her visual art practice she writes radio dramas and curates compilations of poetry and music for radio. Recent performances that she has written, directed and played harp in include “The Song of Dirt Stammers Our Tongue” a live staged radio operetta performed at the Kitchen last month, and “Esra” a live staged adaptation of a radio drama, performed in the panorama of New York City at the Queens Museum. Esther Sibiude’s music ensemble includes a violist, cellist, vocalist, an organist who plays the synthesizer, and herself on the harp. 'One morning of all the mornings in the world, existence and its problematic aspect rose. Somewhere in this chaotic universe, in a relatively rare occurrence, molecular randomness generated organic proteins.', 2018Colored pencil on paper, 25½ x 31½ in. (Framed) 'Once upon a time, not so long ago, there was a calendar of space whose nature was to distribute good and bad luck. On day one, the calendar imposed vertiginous symmetries. An empty sound sprinkled into pink air.', 2022Colored pencil on paper, 25½ x 31½ in. (Framed) 'Her mind slipped down the stairs.', 2023Colored pencil on paper, 26½ x 38½ in. (Framed)
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250 episodios

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