In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Willy's Wonderland: Can't Cage the Cage
Manage episode 285413544 series 2799345
Contenido proporcionado por Horrorscope. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Horrorscope o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week's episode is a shocker: we're covering a NEW RELEASE in 2021. Kevin Lewis' Willy's Wonderland comes to us with a catchy theme song, a silent Nic Cage, and a whole slew of problems. Eric brings his film background to break this one down, while Jaime tries to figure out whether this movie is camp, schlock, or just...bad.
Content Warnings: gore, implied child death, brief mention of cults and suicide, a serious strobe warning for one scene, some sexuality, and scary animatronics.
This week, we donated to Austin Mutual Aid. Send us a screenshot of your donation to them for a shout-out next episode! Learn more here: https://www.instagram.com/austinmutualaid/
IMPORTANT NOTE: If you're donating on Venmo, the official handle is @austinmutualaid on the business tab. There are fake accounts stealing donations.
Show Notes:
Willy's Wonderland Dir Kevin Lewis Talks Nicolas Cage, Title Change
Jason Blum Updates on Blumhouse’s ‘Five Nights at Freddy’s’ Movie; “It’s Moving Rapidly Forward”
Five Nights at Freddy's COMPLETE LORE RECAP (FNaF 1 - FNaF AR)
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Manage episode 285413544 series 2799345
Contenido proporcionado por Horrorscope. Todo el contenido del podcast, incluidos episodios, gráficos y descripciones de podcast, lo carga y proporciona directamente Horrorscope o su socio de plataforma de podcast. Si cree que alguien está utilizando su trabajo protegido por derechos de autor sin su permiso, puede seguir el proceso descrito aquí https://es.player.fm/legal.
This week's episode is a shocker: we're covering a NEW RELEASE in 2021. Kevin Lewis' Willy's Wonderland comes to us with a catchy theme song, a silent Nic Cage, and a whole slew of problems. Eric brings his film background to break this one down, while Jaime tries to figure out whether this movie is camp, schlock, or just...bad.
Content Warnings: gore, implied child death, brief mention of cults and suicide, a serious strobe warning for one scene, some sexuality, and scary animatronics.
This week, we donated to Austin Mutual Aid. Send us a screenshot of your donation to them for a shout-out next episode! Learn more here: https://www.instagram.com/austinmutualaid/
IMPORTANT NOTE: If you're donating on Venmo, the official handle is @austinmutualaid on the business tab. There are fake accounts stealing donations.
Show Notes:
Willy's Wonderland Dir Kevin Lewis Talks Nicolas Cage, Title Change
Jason Blum Updates on Blumhouse’s ‘Five Nights at Freddy’s’ Movie; “It’s Moving Rapidly Forward”
Five Nights at Freddy's COMPLETE LORE RECAP (FNaF 1 - FNaF AR)
No power? Here's where to get free firewood, food, water, warmth in North Texas
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Similar a Horrorscope
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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